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Results for: Next Generation

DJ Mag heads to Ghana to explore a rapidly expanding, festival- driven scene that, while rooted on pop and traditional sounds, is beginning to open...

March is an important month in Ghana’s calendar; it’s when the West African country celebrates gaining independence from British colonial rule in 1957. The month...

The Italian titan of the decks Mauro Picotto returns...

Mauro Picotto is like his native Italy’s finest desert, tiramisu. His nature is sweet and easy to indulge in. You...

The UK capital is making major strides...

Pretty much the whole of clubland was appalled when Fabric had its license revoked a few months back — after all, if Fabric could be...

COVID-19 has rapidly impacted the music industry — leaving thousands out of work. The government dumbfounded many when it was suggested that those from an...

Since the beginning of 2017, every weekend, the metal walkways and staircases of Printworks, the 5,000-capacity venue in London’s Surrey Keys, have vibrated to sounds...

The cover of New Order's Technique on a light blue background

Released on 30th January 1989, New Order’s fifth album is a sun-flushed pinnacle of dance rock, directly inspired by the hedonistic energy of Ibiza’s burgeoning club scene of the time. 35 years on, with the help of the album’s engineer Michael Johnson, Ben Cardew reflects on its legacy, and its influence on the acid house era

If you want to understand British music’s generational leap from punk to acid house, there is no better lead than New Order’s ‘Technique’. Released on...

Akala's Natives: Race And Class In The Ruins Of Empire is a fiercely honest appraisal of growing up poor and mixed race in broken Britain...

MC Akala, the stone cold power-fisted slayer of Charlie Sloth’s Fire In The Booth freestyle session, can also take down any quasi-righteous, over-privileged member of...

Ultra Naté’s house anthem ‘Free’ went from club anthem to international pop hit in the late 1990s. Broken by Louie Vega at the 1997 WMC...

It's precisely 9am in Baltimore. Ultra Naté — her real name — is raring to go. “It's not super-early,” says the super-professional 53 year old...

Cheeky bubblers incoming...

Fan of fresh talent? Then you're going to love this! Each month, the editorial team at DJ Mag HQ rummages through our collective Soundclouds and...

Borgore's explicit take on dubstep

Surrounding himself with porn stars and strippers, Borgore's explicit take on dubstep has amassed a legion of loyal fans – as well as plenty of controversy. When DJ Mag USA meet him though, rather than entering into a world of debuached parties we find a clued up young artist more concerned with the opinion of his mom...

Whether you call their music Dirty Dutch, the Dutch Sound or just Dutch house, the main players from Holland's house scene such as Afrojack, Chuckie...

The Dutch, in case you hadn't noticed, are taking over. Following years in which the country's trance DJs have occupied the upper echelons of DJmag's...

A copy of Ears To The Ground on a light blue background

In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings

At its most cutting edge, dance music is a laboratory of sonic experimentation. Field recordings, foley and samples from the real world have long been...

Various pieces of artwork for Bronski Beat's 'Smalltown Boy'

Released on 25th May 1984, ‘Smalltown Boy’ launched the gay synth-pop band Bronski Beat into the charts and onto dancefloors with its glorious synths, hi-NRG production and Jimmy Somerville’s soaring falsetto, which sang a story of rejection, pain and escape. Here, with the help of musicians, its iconic video's director and others, Bailey Slater explores how, four decades on, it remains an unflinching anthem of queer liberation

When you think of the voices that defined a generation, the 1980s had plenty of options. From Sade and Sinead O’Connor to George Michael and...

Bradley Zero has built the reputation of his Rhythm Section label and parties by nurturing quality music rather than chasing trends. On a roll, his...

“I’m just pulling onto Rye Lane,” says Bradley Zero, as he drives from his flat in Peckham to his office and studio. 

It’s usually a...

From Los Angeles club night to leading bass label, SMOG has engulfed the world

Flashback to 2006, dubstep in America. "In my opinion, Los Angeles was ripe for it,” Drew Best, co-originator of SMOG, tells DJ Mag. “We had...

For 20 years, Simon Dunmore's Defected has been dedicated to the finest in house music, from its label and numerous associated imprints, to its events...

“I’m a collector of labels. My ambition was for people to have a Defected rack in their collections in the same way they'd have a...