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We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

The analogue synth craze is out of control. It’s hit its apex with SURVIVE’s John Carpenter-style soundtrack to Netflix sci-fi show Stranger Things. Now everyone’s...

Mauro Picotto is like his native Italy’s finest desert, tiramisu. His nature is sweet and easy to indulge in. You...

“We choose to go. We choose to stay. We stick together. We vote. We can stand, we can fight, or we can go.” A speech...

The secret to a successful career in music-making, says Naples-born, London-based producer Riva Starr, must have something to do with having the ability to “surprise...

Little Dragon married young, you might say. It was at high school, still in their teens, that the Gothenburg four-piece met, a good decade before...

As police sirens ring in the distance and a pink sunset spreading its vapors over the Los Angeles skyline, Fei-Fei embodies urban royalty and creativity...

It's impossible to overstate The Hague's impact on dance music. In the early '90s, this small city in northern Holland crafted a bastardised version of the sounds bubbling out of Detroit, a ravey mash of jacking house and techno that, at the time, sounded almost impossibly futuristic.

“There is no other music in the world where an MC stands on the stage for an hour and continuously sprays lyrics with such clarity and power over so many frequencies,” Eksman, one of the d&b scene's foremost MCs, tells DJ Mag. “The life and evolution of the drum & bass MC has grown from strength to strength over the years, and I have no doubt that down the line many more great things are in store for the future generation of MCs in our music.” 
Undoubtedly so. The role of the drum and bass MC has steadily progressed simultaneously with the scene it resides in, although in the early days MCs experienced negativity from some DJs. But the MC has fought for its corner, and now overwhelmingly basks in the same golden glory as the DJ.

Anonymity’s quite the fashion these days. Hand-stamped white labels from big-name producers emerge every week, with press releases proclaiming artists free from the shackles of fame, whose metaphorical masks let them experiment with sounds bereft of preconception. Which is all well and good when you’re knocking out short-run 12”s of faceless techno.

Maintaining the perfect blend of old skool rave and the finest contemporary leftfield sounds, as well as attracting one of dance music’s most passionate crowds, this year sees Bang Face celebrate its 10th anniversary.

The last 18 months have seen Bristol’s Eats Everything seemingly come from nowhere to land international success as a DJ and release a string of well-received productions on top labels such as Dirtybird and Pets Recordings. As he prepares to play at one of DJ Mag’s renowned Miami parties at WMC, he talks candidly about Transatlantic crowd-pleasing, his upcoming raft of collaborations and how his success has, in truth, been anything but overnight...

“I like my jeans to be dirty and I like my music to be dirty too,” says Munk, aka Mathais Modica, co-owner of experimental dance...