Skip to main content

Search


Results for: hotline bling

Self-releasing your music in 2022: which distributor is right for you?

When starting out in the industry, musicians and producers have what can often seem like an insurmountable number of new skills to learn outside of making music. With seemingly countless distributors offering widely varying features and products, choosing how to get your music on streaming services can be confusing. This guide seeks to demystify one of the most confusing aspects of releasing music

Digital distribution is the process of releasing your music to various digital streaming platforms (DSPs) and services. In the past, distributors would take care of...

Ireland’s venues and event promoters have struggled under archaic legislation for years, but thanks to the work of the Give Us The Night campaign, it...

Clubbing in Ireland has been in crisis since long before the pandemic shuttered the island’s nightclubs last March. Over the past five years, developers have...

Major cities have long been the central hubs for dance music, in part thanks to their appeal to travelling DJs and fans. With coronavirus massively...

What a difference 12 months makes. This time last year you might have been making travel plans for Amsterdam Dance Event (ADE), getting final kicks...

UK venues are starting to use facial recognition technologies as part of the entry process. But who stores and profits from your data? And could...

When you approach the doors of a club, a number of things can happen. Exactly what depends on the club, the party, and even the...

Neurodiversity in dance music lead feature image

Neurodiversity refers to a wide range of neurological conditions including ADHD, autism, dyslexia and Tourette syndrome. After being diagnosed with ADHD and suspected autism earlier this year, DJ Mag writer Harold Heath began to wonder: is there a particularly high number of neurodivergent people in the scene? Here, he embarks on a personal journey to try and understand the relationship between neurodiversity and dance music, and its wider relevance within the scene

I’m Harold Heath: music writer, former small-time DJ/producer, and life-long club culture fanatic. Earlier this year I was diagnosed with ADHD and suspected autism. Why...

In collaboration with AZ Magazine, a publication for LGBTQ+ Black people and people of colour, writer Isaac Eloi highlights the importance of spaces that support...

The LGBTQ+ community has left an indelible mark on our cultural productions. From fashion to art, music, dance and cosmetics, wherever one finds an innovation...

TYGAPAW: music for the revolution

TYGAPAW makes music with a message of liberation, and of working toward a world where everyone is free to be true to themselves. It also happens to be music that slams. Bruce Tantum meets the Brooklyn-based artist to learn about their long journey to get to where they are now, and the road ahead

There’s a documentary called Underplayed, released in 2020, that focuses on gender, ethnic, and sexual equality issues within the electronic music world as seen “through...

It's been 10 years since seminal club The End closed its doors for the last time. We speak to the family members, close team, and...

“If there’s one thing to learn from rave, it’s this: you can do anything, if you do it together.” – Sheryl Garratt, Sweet Harmony –...

The cover of beastie boys' 'Ill Communication' on a dark background, with a distorted yellow version of the cover marked into it

The release of Beastie Boys’ fourth album on 31st May 1994 signalled a new era not just for the New York trio, but for music at large. Fusing sampladelic hip-hop, punk and unruly rap rock with brazen stylistic experiments, it set a refreshingly eclectic tone after a decade of genre tribalism, and altered perceptions of the group on both sides of the Atlantic. Here, Ben Cardew learns how

‘Ill Communication’ wasn’t the biggest Beastie Boys album; that medal goes to the multi-million selling ‘Licensed to Ill’. Nor was it the New York trio’s...

We meet the elusive Glaswegian artist — and a host of his close confidantes — to talk about his new album, how the Glasgow scene...

Master of futuristic electronic sounds Rustie is back with a new album. Last time with 'Glass Swords' he changed the game, and his new one...

Photo of musclecars wearing suits in front of a yellow, silk drape

Brandon Weems and Craig Handfield, together known as musclecars, are core members of a group of Brooklyn DJs and producers who have been keeping things soulful in New York’s clubbing universe. But with the release of their debut album, ‘Sugar Honey Iced Tea!’, the duo goes further, placing their work as part of the full lineage of Black music and experience

For years, at least since they launched their colouring lessons party in the Bushwick hangout Mood Ring in 2018, Brandon Weems and Craig Handfield —...

Cheeky bubblers incoming...

Fan of fresh talent? Then you're going to love this! Each month, the editorial team at DJ Mag HQ rummages through our collective Soundclouds and...

The year's essential comp cuts!

It's impossible to ignore the way the web has changed the modes and mediums of music. MP3s at the click of a mouse and free...

 Best Of British powered by Relentless Energy Drink is our chance to shine a spotlight on the homegrown stars who fill the pages of our...

BEST DJ: ANDY C

The drum & bass don has scooped the Best DJ gong for the second time in this year’s vote...

“It’s the...

The votes have been counted and the results are in! Here are the winners in DJ Mag’s Best of British awards 2021

Tim Reaper’s star has been rising for over a decade. In junglist circles, he’s moved past being the exciting new kid on the block to...