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Loyle Carner

Though never afraid to show vulnerability before, Loyle Carner opens himself up more than ever on new album ‘hugo’, shedding the image of UK hip-hop’s perfect ‘nice guy’ to explore his reconnection with his estranged father and his Black heritage, and what it means to become a dad himself

In the summer of 2014, as resurgent grime anthems like ‘German Whip’, ‘Take Time’ and ‘That’s Not Me’ soundtracked a new generation’s joyful block parties...

Influenced by hip-hop and halftime drum & bass, Ivy Lab and their label 20/20 LDN have a new vision for future beats. With their debut...

"I didn't really want to do it. Why on earth would I want to hook up with two kids?" laughs Gove Kidao. One half of...

Knucks is leading UK rap's new wave

A rapper, producer and head of the No Days Off brand, Knucks smashed into the UK album charts this year with his ‘Alpha Place’ project, presenting his ‘chill drill’ sound in all its evolved glory. His triumphant homecoming show at KOKO in Camden saw collaborators like Stormzy, SL, Youngs Teflon and Ragz Originale join him on stage. Here, Yemi Abiade meets the Londoner to learn how there are now no limitations on his future

It’s late May in North London. The sun is setting with a burning intensity that only a summer’s evening in this concrete jungle can provide...

The votes have been counted and the winners in this year’s DJ Mag of British Awards have been announced

This year marked the 13th edition of DJ Mag's Best Of British awards, our annual celebration of UK talent. Positioned as a counter-balance to the...

Dillon Francis steps further into the spotlight with the release of his debut album, 'Money Sucks, Friends Rule'...

It’s the cusp of fall in Los Angeles, and one of the hottest days of the year. The air is thick and heavy; its weight...

DJ Mag talk tunes, gigs and birthdays with the d&b duo.

2013 marks a special year for the London drum & bass and dubstep duo Chase & Status. Celebrating their 10th anniversary, the production couple of Saul Milton (Chase) and Will Kennard (Status) have delivered a sound that dips into breaks, hip-hop, dubstep, d&b and jungle since their first release ‘Like This’ on Vehicle Records in 2003.

Denis Sulta is the flamboyant DJ who packs out enormous clubs around the world, famed for his subversive selections and image. But getting there has...

Hector Barbour is 17 years old and trying to get into a club for the first time. Queuing outside Glasgow’s Vic Bar, part of the...

Carl Cox in a crown

After more than three decades of DJing all over the world, Carl Cox remains one of dance music’s most beloved figures. With a new album on the way, and a fresh emphasis on live performance, Bruce Tantum speaks with the king about his incredible journey so far, and his determination to keep challenging himself

When his bespectacled face pops up in a Zoom call, Carl Cox is sitting within a well-appointed studio space, in front of all manner of...

Sammy Virji Smiling

When Sammy Virji's DJ Mag HQ set went viral last year, it changed the course of his career — but this is no overnight success story. His early bassline explorations and vibrant UKG cuts had already laid the groundwork for his global takeover. Nathan Evans learns more

"It’s scary, to be honest,” says Sammy Virji. We’re in a quiet section of a particular peri-peri chicken eatery that the producer/DJ visits “three or...

The cover of beastie boys' 'Ill Communication' on a dark background, with a distorted yellow version of the cover marked into it

The release of Beastie Boys’ fourth album on 31st May 1994 signalled a new era not just for the New York trio, but for music at large. Fusing sampladelic hip-hop, punk and unruly rap rock with brazen stylistic experiments, it set a refreshingly eclectic tone after a decade of genre tribalism, and altered perceptions of the group on both sides of the Atlantic. Here, Ben Cardew learns how

‘Ill Communication’ wasn’t the biggest Beastie Boys album; that medal goes to the multi-million selling ‘Licensed to Ill’. Nor was it the New York trio’s...

Close up shot of Wreckno with fishnet gloves and colourful butterflies in their hair

Brandon Wisniski has refused to let anyone stifle their “batshit crazy dream” of becoming a pop culture icon. Now, as Megan Venzin discovers, the queer rapper and producer known as Wreckno is breaking boundaries and fostering inclusive spaces so others like them can reach the stars

What can’t Barbie do? Since hitting shelves in 1959, the polymer-based, pop culture icon has donned the uniforms of a pilot, astronaut, presidential candidate, and...

Reinier Zonneveld: live and direct

Before headlining international festivals with his immense live techno sets, Reinier Zonneveld cut his teeth on the Dutch underground rave circuit. Megan Venzin catches up with the artist to learn about his approach to performance, and why his fans can always expect the unexpected

It’s been a while since Reinier Zonneveld had to outsmart the cops. Nowadays, when the Dutch producer arrives at an event, it’s because he’s guaranteed...

Sexual harassment is a widespread problem that remains prevalent in our supposedly progressive dance music scene. A number of new initiatives have proposed a solution...

In the year since the #MeToo movement, those who were previously unaware have, at last, been waking up to the horrifying pervasiveness of sexual harassment...

Science fiction has long been a muse for techno producers, but three acts – Lost Souls Saturn, Mat Playford and A Sagittariun – are taking...

"It wasn’t designed to be dance music, it was designed to be a futurist statement.” So said Jeff Mills on the subject of techno back...

Known for his work with RÜFÜS DU SOL, Broods, Hayden James and others, Grammy-nominated producer, mixer, and DJ Cassian is proof that if you build...

In Australia, there’s a phrase commonly used to describe people who “cut down” the overachievers in their midst due to their own insecurities. Those who...