It’s early April and nearing 8am at East London nightclub, FOLD. The spirited vocal of DJ Vibes & Wishdokta’s ‘Midsummer Mist’ is cutting its way...
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More than a club night and record label, Rupture has become a nexus point for the global jungle/drum & bass community, helping to galvanise a new generation while re-energising seasoned heads. Founders and life partners Mantra and Double O tell DJ Mag’s Ben Hindle about its evolution, and the importance of championing inclusivity and musical freedom
In the midst of the ruinous Thatcher era, Manchester’s Hulme Crescents estate became a haven for squatters, anarchists and acid house ravers, who converged in the hedonistic flat-turned-studio and after-hours club, The Kitchen. Kemi Alemoru speaks to former residents, DJs and familiar guests from the Madchester scene about the lasting impact this space had on the city’s cultural landscape
After nearly five decades in music, nobody could blame François Kevorkian for taking it easy. But that’s not in the France-born, NYC-based polymath’s DNA. Shortly after celebrating his 70th birthday, Bruce Tantum hears his story, and learns about the curiosity and drive that keeps him going
Through its nurturing of new superstars like Aitch and other young local talent, Manchester’s NQ has become a veritable institution of modern UK rap, helping elevate regional artists across the UK. James Keith meets members of the crew during a recent takeover at the legendary Abbey Road Studios, and heads to NQ’s northern base to discover the secret to its success
From his foundational work in drum & bass and jungle as part of 4hero and Reinforced Records, to his myriad production aliases and ongoing work...
Copenhagen-based Anastasia Kristensen has rapidly risen through the ranks in recent years thanks to a natural talent for mixing and a keen selector’s ear that traverses...
In the first week of July last year, Anastasia Kristensen arrived in the Serbian city of Novi Sad for EXIT Festival. The gig was to...
The Warehouse Project returned for its final year at its “spiritual home” of Store Street last weekend. DJ Mag’s deputy digital editor Rob McCallum looks...
The UK club scene has changed hugely since the mid-noughties. The End is gone. As are The Cross, Turnmills, The Arches, Sankeys and countless more...
Influenced by hip-hop and halftime drum & bass, Ivy Lab and their label 20/20 LDN have a new vision for future beats. With their debut...
"I didn't really want to do it. Why on earth would I want to hook up with two kids?" laughs Gove Kidao. One half of...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
Kiwi is the former photographer who now rubs shoulders with Duke Dumont & Andrew Weatherall. We sit down in Dalston to chart his rise...
Making it as a successful DJ is a tough gig. It takes commitment, passion and most of all, persistence. No one knows this better than...
German tastemaker walks us through his remixers
Following the success of 'Powers of Ten', Stephan Bodzin’s most profound full-length album to date, the German producer has invited a star-studded group of artists...
Check out the latest album reviews by DJ Mag below!
Artist: Floating Points
Album: Elaenia
Recording Label: Pluto
Rating: 8.0
Sam Shepherd is a genius. Not just musically — although we'd be inclined to argue...
On the eve of their Miami gig for DJ Mag at the Surfcomber, the French G-house duo talk inspirational beats and rhymes...
“When I was young, I loved Notorious B.I.G, Mary J. Blige, R Kelly and A Tribe Called Quest,” says DANCE, one half of French...
Counting down the best of DJ 'WTF' moments in 2014
2014: the year of click bait articles and cheesy EDM news everyone loved to hate. From Art Department dissing Laidback Luke to Michelle Obama turning...
For their second album, Hamburg's disco-sampling duo Session Victim decamped to San Francisco and discovered a new way of working with analogue synths, drum machines...
It's great dance music is so big now that your mum hums Disclosure. What isn't so great is that because dance music is so popular...