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Results for: Master Peace

Rhyw by Kasia Zacharko

Fever AM co-founder Rhyw steps up for the Recognise mix series, and chats to Eoin Murray about his forthcoming release, his childhood obsession with The Prodigy and the all-important element of surprise in his hallucinatory club music

Rhyw wants to surprise you. In his catalogue of warped, oddball techno, linear beats are twisted into unpredictable shapes. The Welsh-Greek DJ and producer –...

Kode9’s Hyperdub has been a critical force in shaping a more diverse electronic scene, both sonically and socially. Having weathered the loss of Chicago footworker...

Fifteen might be the anniversary that it is currently celebrating, but the most important number in Hyperdub land is zero. Stylised as Ø but pronounced...

On Cue is our newly relaunched flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both...

Mr. Mitch is enjoying making people dance.

A move away from the delicate aesthetics of his last EP, October 2018’s ‘Primary Progressive’, Mr. Mitch’s latest...

There are few artists that have made as deep a mark on the landscape of UK music as Dego and Kaidi Tatham.

Traversing through the thick discographies of Dego and Kaidi Tatham renders a fascinating connect-the-dots maze of London music history, with twists and turns of different...

The trap phenomenon explained

Trap is the slow-rolling, synth-heavy, snare-snappin' sound that's swept underground dancefloors and stadiums alike across the US and Europe. But what is trap? Is it a genre of its own? Where does it come from? Why's it so popular — and why's it hated in equal measure? Does it have a future? Danna Takako investigates...

Techno would not exist as it does today without Kevin Saunderson. Some of the Detroit techno architect’s most revolutionary work has been released under the...

Techno is the language of machines speaking to each other, the vocabulary of shiny circuitry, the sound of the future in the here-and-now. But when...

The cover of beastie boys' 'Ill Communication' on a dark background, with a distorted yellow version of the cover marked into it

The release of Beastie Boys’ fourth album on 31st May 1994 signalled a new era not just for the New York trio, but for music at large. Fusing sampladelic hip-hop, punk and unruly rap rock with brazen stylistic experiments, it set a refreshingly eclectic tone after a decade of genre tribalism, and altered perceptions of the group on both sides of the Atlantic. Here, Ben Cardew learns how

‘Ill Communication’ wasn’t the biggest Beastie Boys album; that medal goes to the multi-million selling ‘Licensed to Ill’. Nor was it the New York trio’s...

Todd Edwards is a house and garage veteran whose signature productions have lit up dancefloors for decades, and whose collaborations with Daft Punk sit in...

Every genre has a resident ‘“nice guy”, but it’s doubtful that they come nicer than Todd Edwards.Todd has been an effervescent presence in dance music...

The pressure dome logo in luminous yellow text on a black background. A luminous yellow astronaut, planet and round space ship are also in the scene

Founded by Bristol DJ/producer Yushh in 2019, Pressure Dome’s focus on emerging talent and varied compilations has made it a key force in pushing UK club music to new heights. Here, alongside a mix from its catalogue, Oli Warwick learns more

A fresh spin on a beloved sound, a pool of slept-on talent, a sharp aesthetic — there are plenty of magic ingredients that make a...

With a new album for Ninja just out, we attempt to unravel the idiosyncrasies of the man behind the music...

To describe Andy Carthy as a one-off is probably to understate the situation. He designs all his own album covers and artwork. He's launched his...

Ultra Naté’s house anthem ‘Free’ went from club anthem to international pop hit in the late 1990s. Broken by Louie Vega at the 1997 WMC...

It's precisely 9am in Baltimore. Ultra Naté — her real name — is raring to go. “It's not super-early,” says the super-professional 53 year old...

Lauren Flax: intention is everything

After years of devotion to New York's club scene, Detroit-born Lauren Flax is more passionate than ever, with acid techno tracks to be perfected, causes to be fought, and lives to be saved through her harm reduction initiative. This month, she shares her journey with Bruce Tantum

It’s a Friday night at Brooklyn’s Public Records, and Lauren Flax is in her element. The dancefloor is packed, the room is dark, the fog...

DJ Nobu wearing a red button up shirt and black trousers, standing outside amongst some trees

Over the past two decades, DJ Nobu’s name has become synonymous with Japanese techno; his deep yet hard-hitting sets consistently transfix the global underground. Alongside a blazing On Cue mix, the Bitta label boss tells James Gui about the lasting influence of his hardcore punk background, his Omega Point noise project, Future Terror parties, and inspiring the next generation of artists to lead with compassion

Everything about the scene is overwhelming: blinding strobes, blistering hiss, an onslaught of sub-bass and breakbeats coming down in torrents. The conductors of this electronic...

A selection of 8 press shots of artists featured in DJ Mag’s June emerging artists feature

The latest and greatest DJs and producers rising to the top this month. From bass-driven electro and jagged club experiments, to ’90s-styled house, punchy prog and beyond, here’s June 2024’s list of upcoming talent you should be keeping track of

Masaka Masaka’s new album ‘Barely Making Much’ is a woozy, dreamlike affair. Opening track ‘Mental Construct’ disrupts shoegaze guitars with scattered beats. ‘6pm Waiting On...