Few artists have fused the worlds of bright psytrance and booming techno as smoothly as Indira Paganotto. The Spanish producer, DJ and founder of the...
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An hour of gritty disco, rusted house and shrouded breaks from The Cyclist. We catch up with the Tape Throb innovator to talk punk, lo-fi...
Nothing sums up the work of The Cyclist quite like the name of his most recent EP. ‘Boards of Chicago’ was released via Italian label...
Houndstooth mainstay Aïsha Devi has caused shock and awe with her wild live shows and mind-boggling releases. Yet, as DJ Mag discovers, her experiments with sound...
Aïsha Devi’s stare burns onto her machines with the intensity of a laser. To her back, left and right, a flickering, kaleidoscopic series of visuals...
For 20 years, DJmag has been in amongst it, at the vanguard of dance and electronic music culture, commentating, conversing and partying within the scene...
By the middle of 1991, the UK had experienced the biggest youth revolution since punk. Acid house had swept the nation in the late '80s...
Spanish DJ, producer and ARTCORE label founder Indira Paganotto’s irresistible hybrid of techno and psytrance has made her a huge star on festival stages and in superclubs, but her rise to the top has been beset with challenges. Niamh O’Connor speaks with her about sticking to her principles, her love of psytrance, the importance of the underground, and the balancing influence of family
Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future
The secret to John Summit's success lies in his work-hard, play-hard mentality, which has led to the former Certified Public Accountant to become one of the most in-demand DJs around. Ahead of his set at DJ Mag's Miami Pool Party this month, Megan Venzin hears his story so far
2019 saw dancefloors embracing fast, syncopated and experimental rhythms, with jungle breaks and sounds from the Global South invigorating DJs and producers across the genre...
Copenhagen-based Anastasia Kristensen has rapidly risen through the ranks in recent years thanks to a natural talent for mixing and a keen selector’s ear that traverses...
In the first week of July last year, Anastasia Kristensen arrived in the Serbian city of Novi Sad for EXIT Festival. The gig was to...
DJ Mag meets Róisín Murphy on the brink of her new LP, 'Hairless Toys'...
Róisín Murphy is the ultimate career woman. From teenage runaway to cult sensation, the mother of two has managed to truly have it all, thanks to...
Bob Sinclar has cultivated the image of a French international playboy over the many years.
He's been involved in house music, although in truth he is quite the family man. Now living in LA, he tells DJ Mag here the story of why he chose these tracks for this issue's covermount mix, where he digs for sample sources, and exactly what else he's been up to lately...
Bill Bernstein dedicated three years of his life to capturing the essence of the ‘70s New York disco scene. Here, Simon Doherty talks to him about some of his most iconic photographs, including images of Studio 54, Larry Levan, Odyssey Disco Club Dancefloor — made famous by Saturday Night Fever in 1977 — and more
The latest and greatest DJs and producers rising to the top this month. From deep Afro-house and trance-infused techno to atmospheric jungle and beyond, here's May 2022's list of upcoming talent you should be keeping track of
Nookie’s ‘Gonna Be Alright’ dropped as hardcore was morphing into jungle at the beginning of the 1990s. It lit up the raves and set Nookie up for a production career with Reinforced, Metalheadz, Moving Shadow and other key labels as the decade unfolded. Ben Murphy learns its story and speaks to Nookie about how, as the ‘20s roar into action, he is charged up all over again
DVS1's new service Aslice asks DJs to donate a percentage of their fees to the artists whose music they play. Will it revolutionise how producers are paid in electronic music?
Manufacturing delays and rising costs are straining small, independent vinyl labels. Paired with environmental concerns and a reassessment of what physical releases can entail, the...