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They’re touted as a legislative firewall to keep Aussie partygoers safe, but have Australia’s unpopular ‘lockout laws’ irreparably damaged Down Under’s nightlife for good? DJ Mag...

A few weeks ago, a pair of successful Australian DJs wrote a letter. The now-famous note wasn’t to a manager, a booking agent or even...

Marking the release of their debut album, we speak to Robin Stewart from beloved Bristol techno punk duo, Giant Swan, about how their live show works...

 We celebrate 303 day with some of our favourite acid experts

One of electronic music's most iconic sounds, Roland's original TB-303 is truly a classic bit of kit. Over the years, its been often imitated, rarely...

2012 Miami Listing's

 Yup, it's that time again — all eyes on South Beach. The East Atlantic coast of Miami, USA is braced for another infiltration of dance...

The latest and greatest DJs and producers rising to the top this month. From fiery percussive club music and techno to celestial synths and deep...

Italian-born, London-based Giulia Tess’ genre-defying releases glide between off-kilter techno, dancehall rhythms, leftfield electronica and more. So far, they’ve caught the attention of labels such...

On Cue is our newly relaunched flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both...

Mr. Mitch is enjoying making people dance.

A move away from the delicate aesthetics of his last EP, October 2018’s ‘Primary Progressive’, Mr. Mitch’s latest...

Soundsystem artwork 1

Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future 

It’s the Thursday before Notting Hill Carnival and Linett Kamala, board director of Europe’s biggest street party, is weaving through the streets of Kilburn. Her...

Influenced by emerging electronic techniques and the rave scene, industrial outfit Coil's third album 'Love's Secret Domain' is full of trippy, drug-fuelled dichotomies and collaborations...

“I remember thinking, ‘What the fuck have we made?’” Danny Hyde says of Coil’s ‘Love’s Secret Domain’ — known as ‘LSD’ — which turns 30...

The Diplo-led American trio has broken sound barriers and world records. With the group’s final album on the horizon, DJ Mag chronicles a decade of...

A consummate crate digger and sonic explorer, American DJ and super producer Wesley Pentz, aka Diplo, has been on a lifelong hunt for the ultimate...

Photo of the four members of Girls Don’t Sync in the booth together

Girls Don’t Sync are booting down barriers in dance music with their unrivalled energy and community-building ethos. Right off the back of their massive sold-out show at KOKO in London, and ahead of their sold-out headline show at The Warehouse Project in Manchester, they chat to Sophie Walker about creating a welcoming dancefloor, keeping things fresh, and inspiring others to follow their dreams.

Girls Don’t Sync have evolved at warp-speed over the past two years, compelled by a grounding ambition to embody the change they want to see...

Simian Mobile Disco’s Jas Shaw deals in machine-driven techno delicacies, as his recent ‘Exquisite Cops’ solo album demonstrates. But having swapped the urban surroundings of...

We’re driving through Faversham, an unassuming Kent market town, with Jas Shaw, who’s telling us about the first visit he and his partner Jess made...

DJ decks

Even as pandemic restrictions have lifted, and clubs and festivals have returned, the spectre of coronavirus lingers for many due to the debilitating impact of long Covid. Here, Dhruva Balram speaks to people in the dance music industry about how the effects of long Covid, and a lack of understanding around it, have impacted them, and asks whether it should be recognised as a disability

“My energy levels have never returned to what they were,” says London-based DJ and broadcaster DEBONAIR. “I don’t have the muscle strength and energy that...

Disclosure covers DJ Mag USA... 

Howard and Guy Lawrence, the Disclosure brothers, show up for their promotional appearances the way you would for a job interview: professional and prepared. Fresh-faced...

Tamsin Embleton was an event booker, promoter and artist manager for ten years before training as a psychotherapist. She's a founding member of the Music...

You’ve been attempting to take a step away from drugs and alcohol, but you have a run of shows coming up where you know you’ll...

Self-releasing your music in 2022: which distributor is right for you?

When starting out in the industry, musicians and producers have what can often seem like an insurmountable number of new skills to learn outside of making music. With seemingly countless distributors offering widely varying features and products, choosing how to get your music on streaming services can be confusing. This guide seeks to demystify one of the most confusing aspects of releasing music

Digital distribution is the process of releasing your music to various digital streaming platforms (DSPs) and services. In the past, distributors would take care of...