It's precisely 9am in Baltimore. Ultra Naté — her real name — is raring to go. “It's not super-early,” says the super-professional 53 year old...
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Features
Ultra Naté’s house anthem ‘Free’ went from club anthem to international pop hit in the late 1990s. Broken by Louie Vega at the 1997 WMC...
Features
How can we make clubbing better for disabled people? When events return in 2021, clubs need to be more accessible for disabled guests and performers...
Features
UK label Champion Records is celebrating its 35th year with a series of remixes of classic releases. The label's best-known hit is Robin S' ‘Show...
Features
Róisín Murphy is back with her fifth solo album, ‘Róisín Machine’. Carl Loben catches up with her to talk artistic exhibitionism, lockdown videos, her early...
Features
Major cities have long been the central hubs for dance music, in part thanks to their appeal to travelling DJs and fans. With coronavirus massively...
Features
From the underground mixtape beatmakers, to those crossing over into the rap mainstream and drill scenes at home and abroad, Colin Gannon asks — who...
Features
Data is the new currency and DJing is about to get rich. The endless stream of data generated from cloud DJing will go on to affect...
Features
UK venues are starting to use facial recognition technologies as part of the entry process. But who stores and profits from your data? And could...
Features
For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet
Tech
It's the most wonderful time of the year – whether you're treating yourself or looking for the perfect gift for someone else, we've got you...
Features
Sexual harassment is a widespread problem that remains prevalent in our supposedly progressive dance music scene. A number of new initiatives have proposed a solution...
In the year since the #MeToo movement, those who were previously unaware have, at last, been waking up to the horrifying pervasiveness of sexual harassment...
The Dutchman delivers his most ambitious album yet...
Ferry Corsten returns to his uplifting trance roots with an immersive multimedia project that explores fundamental questions about humanity and the galaxy we inhabit...
Steve Aoki is the EDM superstar that fans adore and haters love to hate.
He’s built a musical empire on DiY ethics, hard work, punk rock drive and lots and lots of cakes. As he prepares to headline the...
The United Kingdom of rave returns
House is still topping the UK charts; the EDM beast is mutating and consuming every thing in its path. Never before has there been so...
Signed to Digital Soundboy, stepping into Annie Mac’s shoes, and getting ready for a crazy summer of festival appearances, B.Traits explains how a Canadian country...
In the music industry there are two types of meteoric rise. One is a scary, Susan Boyle-shaped process, where the basking lizard kings of pop pluck an unknown, polish them dumb, tell them what their new name, hairstyle and personality is, and thrust them mercilessly into the light, there to cavort for our pleasure.