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Inside the UK Afro house renaissance

The Afro house sound is an ever-growing presence in UK dance music, with new labels, club-nights and a dedicated radio station springing up. Alongside a mix from Mr Silk, Ria Hylton explores the sound’s history, and speaks to some of the scene’s key players about forging strong connections with their growing audiences, and their aim to nurture a unique UK Afro house identity

Afro house is steeped in the percussive materials of South Africa’s townships. For decades, its polyrhythms played out on traditional African instruments — bongos, congas...

The flamboyant electronic sound of San Francisco’s dancefloors soundtracked gay liberation in the '70s and '80s, even as its community faced decimation as a result...

Deep in the vaults of the San Francisco GLBT Historical Society and Museum Archives, a modest wooden crate glows with the importance of a sacred...

With his new album, ‘Fragments’, on Ninja Tune, English electronic musician and DJ Bonobo has delivered his strongest, most versatile album since 2010's 'Black Sands'...

Sat on a sofa in the Ninja Tune offices, somewhere in Kennington, South London, Simon Green, aka Bonobo, is pondering the question of why his...

Techno would not exist as it does today without Kevin Saunderson. Some of the Detroit techno architect’s most revolutionary work has been released under the...

Techno is the language of machines speaking to each other, the vocabulary of shiny circuitry, the sound of the future in the here-and-now. But when...

Before COVID turned the world upside down, Avalon Emerson was so busy DJing, touring, producing and remixing, she was close to burnout — but the...

Eighteen months ago, some of Avalon Emerson’s wishes came true. The first was for 2020 to be “the year of prioritising sleep”, during which she...

Hudson Mohawke is a mystery. The shy Glasgow-born, LA-dwelling producer and DJ has made boundary-breaking music and worked with superstars, but he scarcely does interviews...

It’s a hot August morning in Los Angeles, and the sun is beating through the open door of Ross Birchard’s home studio. He smiles and...

Inspired by the Midwest American raves that first got her hooked on dance music, Chicago’s Eris Drew wants to bring a psychedelic communal energy and...

Autumn has arrived in Berlin, all bright and crisp. Eris Drew opens her windows and the air cuts through the scent of lavender inside. There’s...

It's been 10 years since seminal club The End closed its doors for the last time. We speak to the family members, close team, and...

“If there’s one thing to learn from rave, it’s this: you can do anything, if you do it together.” – Sheryl Garratt, Sweet Harmony –...

In the UK and elsewhere, there’s now a pathway towards a staggered reopening of clubs and festivals. But how have venues coped in the past...

When UK Prime Minister Boris Johnson announced the government’s “roadmap” out of lockdown on the 22nd February — a series of dates over which COVID-19...

2019 saw dancefloors embracing fast, syncopated and experimental rhythms, with jungle breaks and sounds from the Global South invigorating DJs and producers across the genre...

Dancefloor trends come and go. Familiar genre tropes, motifs and tempos reinstate themselves as dominant themes in clubs and festivals big and small, while inventive...

Photo of Louie Vega wearing a black shirt and hat with a white blazer

After four-plus decades of DJing and with a incredible list of releases — much of it produced with longtime partner Kenny “Dope” Gonzalez as Masters At Work — the pioneering Louie Vega would seem to have little to prove. Yet he’s working harder than ever, with the same energy he had as a young kid coming up in the Bronx. In the run-up to his date at DJ Mag’s Miami Pool Party 2024 at the Sagamore Hotel on March 20th, Vega took some time out of his hectic schedule to talk about how he got to where he is today

Sitting in his Manhattan studio on a weekend evening, wide-brimmed hat on his head and, behind him, shelves crammed with thousands of records — most...

Octo Octa in a red cut out top against a blue background

From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness

This feature originally appeared in print in the June issue of DJ Mag North America. It has been amended for online publication, due to two...

TYGAPAW: music for the revolution

TYGAPAW makes music with a message of liberation, and of working toward a world where everyone is free to be true to themselves. It also happens to be music that slams. Bruce Tantum meets the Brooklyn-based artist to learn about their long journey to get to where they are now, and the road ahead

There’s a documentary called Underplayed, released in 2020, that focuses on gender, ethnic, and sexual equality issues within the electronic music world as seen “through...

How an adult version of Tetris kickstarted multiple musical revolutions 

How much credit can you give a tool for creating art? Surely it's like praising the paintbrush for a great painting, or the typewriter for...

Daniel Avery in black and white looking at the camera in a big fur coat, white shirt and black tie

Daniel Avery has made the defining album of his career to date with ‘Ultra Truth’. Incorporating everything from techno and ambient to jungle drum & bass, it features contributions from SHERELLE, HAAi and Kelly Lee Owens, among others, and is simultaneously raw and beautiful. Anna Wall meets him in a North London café to talk about collaboration, staying true to himself, and the enduring influence of Andrew Weatherall

It’s a Monday morning, and we’re sitting in the garden of a modest café in Newington Green, North London. Outside, the final rays of summer...