“From 1998 to 2005 we had seven years of glory, then nobody wanted to be a DJ in hard house,” admits Amadeus Mozart, one half...
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The Tidy Boys and their label Tidy Trax epitomised the early ‘00s hard house scene, at one point selling a million records a year. As...
Creating a safe environment on the dancefloor is crucial for the mental wellbeing of all club-goers, particularly those from marginalised communities. Christine Kakaire speaks to...
Three decades and nearly 200 records into his career, jungle maverick Paradox is still breaking new ground, and earning new fans in the process. Ben Hindle speaks to him about using an old Amiga computer for his productions, keeping the funk in his breakbeat samples, and his dedication to performing live
DJ also attacks failed drug policing...
Howie B has condemned the Police for their handling of fabric, both in the current case involving the deaths of two 18-year-olds from drug overdose...
A rare look inside the elusive, musical minds of Italojohnson
ItaloJohnson are real party starters. That is basically all we know about the mysterious Berlin based trio, but it’s all we need to know.
Whether...
After a life-changing epiphany at Nevada's Burning Man festival, dance music icon Carl Cox is back with a bang, with an incredible new two-CD mix...
Given his illustrious career, now into its fourth decade lest we forget, you'd be forgiven for assuming that Carl Cox was long past the point...
Timedance label boss, innovative producer and a boundary-pushing DJ, Batu was on an upward trajectory — but the pandemic made him question his motivations and examine his history. With his debut album ‘Opal’ marking a bold new chapter in his sound, he talks to Chal Ravens about burnout, reinvention, heritage and contributing to the Bristol scene that nurtured him
Inspired by the sci-fi movies of their youth, the new concert film IRIS: A Space Opera is the latest ambitious venture by Justice. DJ Mag...
A lack of data, information, and will has left electronic music producers lagging way behind their commercial counterparts. DJ Mag outlines how that happened, how...
Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?
Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...
From the birth of acid house and the free party scene, through the era of super clubs and into the digital age, flyer design has...
Soaring ascents, the kind that can take an artist from obscurity to stardom in what seems to be the blink of an eye, don’t occur often, in dance music or elsewhere – those who are lucky enough to have that experience often disappear just as quickly. But there’s little chance of a quick fade for South Africa’s Palesa Desiree Shilabje, the DJ and producer known to the world as DESIREE, who in just a few short years has proved to be one of the international festival circuit’s most exciting new stars. Here, Bruce Tantum hears her story, and about how her evolution through music has been as organic as they come
Utrecht's CARISTA is on a quest to bring club crowds together with her irresistible, energising DJ sets. Ria Hylton meets her to find out how her United Identities label is elevating new talent in the Netherlands, and how she’s branching into new areas of music.
Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future