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In the early ‘90s, dubplates, exclusive early pressings of unreleased music, fuelled the buzz around DJs in the emergent jungle scene. In an excerpt from...

Exalted among the many musical innovations that Jamaica has given the world is the dubplate. An acetate pressing of unreleased music, produced especially for DJs...

Across South-East Asia, a new generation of rappers is emerging. Drawing on the explosion of US trap and contemporary hip-hop sonics, and creating new flows...

Indonesian rapper and producer Ramengvrl makes trap music with a twist. Her skeletal beats feel alive, somehow: squishing, chiming, and bouncing around, as her staccato...

Working for free is rife among producers and engineers, with 77% having worked for free in the last 12 months alone. But is it just...

Last year, the Music Producer’s Guild (MPG) released a report that revealed that, in the past three years, 71% of sound engineers and music producers...

Tamsin Embleton was an event booker, promoter and artist manager for ten years before training as a psychotherapist. She's a founding member of the Music...

You’ve been attempting to take a step away from drugs and alcohol, but you have a run of shows coming up where you know you’ll...

In his first interview under the Trance Wax moniker, Ejeca tells us about the origin of the project, uniting young clubbers and older ravers, and...

Taking classics from trance’s golden age and recontextualising them for the modern dancefloor? In the wrong hands, this concept could spell danger: crass, overly nostalgic...

Overmono's Ed and Tom photographed by Rollo Jackson 2

After years in the UK underground as solo artists, brothers Tom and Ed Russell, formerly known as Truss and Tessela, have made huge strides as a duo in recent years as Overmono. Lauren Martin learns how they’ve built a sound and A/V live show that taps into UK dance music legacies, all while staying true to themselves

When Tom and Ed Russell moved into their studio in 2018, they felt the weight of UK dance music history. Housed in the deep south-eastern...

Techno would not exist as it does today without Kevin Saunderson. Some of the Detroit techno architect’s most revolutionary work has been released under the...

Techno is the language of machines speaking to each other, the vocabulary of shiny circuitry, the sound of the future in the here-and-now. But when...

Known as the “queen of the Palestinian techno scene”, Sama' Abdulhadi was becoming internationally recognised as a powerful force in dance music until a gig...

When Sama' Abdulhadi was 13, the Israel Defense Forces came to her apartment block in Ramallah, the occupied West Bank, and took over the building...

How an adult version of Tetris kickstarted multiple musical revolutions 

How much credit can you give a tool for creating art? Surely it's like praising the paintbrush for a great painting, or the typewriter for...

Photo of the four members of Girls Don’t Sync in the booth together

Girls Don’t Sync are booting down barriers in dance music with their unrivalled energy and community-building ethos. Right off the back of their massive sold-out show at KOKO in London, and ahead of their sold-out headline show at The Warehouse Project in Manchester, they chat to Sophie Walker about creating a welcoming dancefloor, keeping things fresh, and inspiring others to follow their dreams.

Girls Don’t Sync have evolved at warp-speed over the past two years, compelled by a grounding ambition to embody the change they want to see...

MS in a pool float

Delivering explosive, quick-witted lyricism over beats that blend kwaito, amapiano and gqom with grime, punk and pop, South Africa's Moonchild Sanelly has become a global sensation. Here, she speaks to Makua Adimora about freedom of expression and her new album, 'Phases'

“I always describe myself as ‘Snow White turns 21 and then the seven dwarfs become her strippers’,” Moonchild Sanelly says matter-of-factly, when speaking to DJ...

DJ decks

Even as pandemic restrictions have lifted, and clubs and festivals have returned, the spectre of coronavirus lingers for many due to the debilitating impact of long Covid. Here, Dhruva Balram speaks to people in the dance music industry about how the effects of long Covid, and a lack of understanding around it, have impacted them, and asks whether it should be recognised as a disability

“My energy levels have never returned to what they were,” says London-based DJ and broadcaster DEBONAIR. “I don’t have the muscle strength and energy that...

Soul II Soul

Soul II Soul helped give Black British music and UK club sounds a truly unique identity. Collective founder Jazzie B talks about their ground-breaking debut, ‘Fairplay’, and traces his journey from London soundsystem culture to global star with Ben Osborne

When, after a series of near misses, Jazzie B and DJ Mag finally connect, Jazzie’s in a taxi heading for a video shoot. “I’m not...

Kings Of Tomorrow

A soulful house classic, Kings Of Tomorrow’s ‘Finally’ appealed across the board thanks to its universal lyric and hopeful message. Kristan J Caryl talks to vocalist Julie McKnight, co-producer Jay Sealee, Defected’s Simon Dunmore and Bushwacka about its evergreen appeal

“I was visiting my cousin Jay,” remembers Julie McKnight of one special night in a New Jersey living room 20 years ago. “Sandy, the other...

A new initiative, started by the founder of Love Parade, aims to have Berlin's techno scene recognised as a cultural practice, supported and preserved by...

It’s a grey, wet Tuesday morning in Berlin, and inside an unassuming building in Wedding, a fourth-floor apartment is buzzing with activity. It’s the home...