In late summer, the rain falls in great sheets, and DJ Mag dives under the cover of shop awnings in Shoreditch, East London. On a...
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“Dreaming Of A White Wonderland”
Already sick of the overplayed tune “Winter Wonderland” playing overhead at every store you did your holiday shopping...
Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...
“I miss doing house stuff,” says Inês Borges Coutinho, laughing, a little frustrated. She’s not talking about music – thankfully, there’s lots of that. She...
Wellies at the ready, it’s time for a festival (or three)! The summer has returned, or at least as much as it ever does in...
SULTA SELECTS FLY OPEN AIR
WHILE his penchant for dropping the odd cheesy banger has divided fans online, Denis Sulta is unarguably a top DJ...
With the festival phenomenon showing no signs of slowing down, there’s something on offer for everyone in the UK this season...
On the history of dubstep and 'Fabriclive 61'...
Pinch, aka Rob Ellis, boss of the trail-blazing Tectonic Records, is one of a few heads in a unique position to dissect the...
Sam Shepherd, aka Floating Points, is returning with a new album — ‘Crush’, out this month — and a vital live show that he’ll be debuting this autumn. Born out...
Bill Bernstein dedicated three years of his life to capturing the essence of the ‘70s New York disco scene. Here, Simon Doherty talks to him about some of his most iconic photographs, including images of Studio 54, Larry Levan, Odyssey Disco Club Dancefloor — made famous by Saturday Night Fever in 1977 — and more
A soulful house classic, Kings Of Tomorrow’s ‘Finally’ appealed across the board thanks to its universal lyric and hopeful message. Kristan J Caryl talks to vocalist Julie McKnight, co-producer Jay Sealee, Defected’s Simon Dunmore and Bushwacka about its evergreen appeal
Paranoid London are on a mission to bring back the rawness of old house, with their skeletal acid tracks and Chicago-influenced beats. We head to...
Creating a safe environment on the dancefloor is crucial for the mental wellbeing of all club-goers, particularly those from marginalised communities. Christine Kakaire speaks to...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Claire Francis travels to Stihia festival to find an event that serves as a vital platform for emerging DJs from within Uzbekistan, as well as supporting local sustainable development
With her new ‘Embryo’ EP on Planet Mu, Jlin’s body of work takes another step toward unifying sound and motion. DJ Mag's Bruce Tantum catches...
Best Of British powered by Relentless Energy Drink is our chance to shine a spotlight on the homegrown stars who fill the pages of our...
The drum & bass don has scooped the Best DJ gong for the second time in this year’s vote...
“It’s the...
DJ Mag meets Róisín Murphy on the brink of her new LP, 'Hairless Toys'...
Róisín Murphy is the ultimate career woman. From teenage runaway to cult sensation, the mother of two has managed to truly have it all, thanks to...