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The Detroit techno/house DJ/producer gives us the ten records that defined him...

Not many 12-year-olds grow up listening to Plastikman, or list hardcore metal heads Pantera – authors of the anthemic “Fucking Hostile” - alongside Jeff Mills...

Creating a safe environment on the dancefloor is crucial for the mental wellbeing of all club-goers, particularly those from marginalised communities. Christine Kakaire speaks to...

In late 2015, the animated TV series South Park aired an episode called ‘Safe Space’. The phrase had been used in activist communities since the...

Xavier de Rosnay & Gaspard Augé speak up...

The analogue synth craze is out of control. It’s hit its apex with SURVIVE’s John Carpenter-style soundtrack to Netflix sci-fi show Stranger Things. Now everyone’s...

On the eve of the label's 100th release, we talk to Romboy about turning his back on the mainstream and returning to his roots, his...

Marc Romboy is one of the most prolific and diverse DJ/producers around. From his early '90s house beginnings through a spell in pop music and...

Photo of RIOT CODE wearing a blank tank top in a dark room, with a large beam of light shining around him from the back

Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds

It’s New Year’s Eve 2023 in Belfast’s Bone Yard, and Oliver Grant is overthinking. After spending the previous two weeks restlessly rifling through his collection...

On Cue: Warlock

South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound

Warlock. The word conjures images of hooded figures casting dark magic. In dance music circles, it refers to a man who wields similarly arcane power...

DJ Mag's digital tech editor rounds up the best Christmas gifts for DJs and producers in 2021. Whether it's for yourself, a partner, a family...

Virtuoso is an educational platform featuring video masterclasses from some of electronic music’s biggest artists like Skream, Carl Cox, B Traits and Eats Everything. You...

Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...

“I miss doing house stuff,” says Inês Borges Coutinho, laughing, a little frustrated. She’s not talking about music – thankfully, there’s lots of that. She...

Iceland’s Bjarki is so obsessed with making music, he’s forced himself to stop for a little while. Ahead of his new album ‘Happy Earthday’ which...

Bjarki sighs deeply. “I had to try and escape.” Years of writing 10 tracks a day has taken its toll, and he’s finally reached breaking...

Soundsystem artwork 1

Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future 

It’s the Thursday before Notting Hill Carnival and Linett Kamala, board director of Europe’s biggest street party, is weaving through the streets of Kilburn. Her...

On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...

Last weekend, one of the UK’s best-loved festivals, Houghton, was cancelled due to a typically British extreme weather warning in peak summertime. Among the acts...

Photo of the Xone:92 mixer on a black background

Allen & Heath’s Xone:92 celebrates its 20th anniversary this year. Remaining an industry standard, the mixer has stood the test of time. Here, DJ Mag’s tech editor, Mick Wilson, takes a look at the history, the heritage, and the enduring importance of this well-loved, if polarising, piece of DJ technology

When development for the Xone:92 began in early 2003, Andy Rigby-Jones, Xone founder and then Allen & Heath’s design manager, felt he could push the...

Leon Vynehall sculpts a mix of experimental sounds, smoky house and peak-time techno for the On Cue series, and speaks to Ray Philp about finding...

DJ Mag’s tech editor, Mick Wilson, investigates Black and non-Black POC representation in the music tech sector, and what industry leaders are doing to address...

Black and non-Black POC artists have always been at the forefront of electronic music; pioneering DJs and producers who created whole genres, and others who...

Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, London-based Hyperdub affiliate...