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Shanghai’s pioneering SVBKVLT label is creating a bold new future for electronic and club music, spearheading a movement inspired as much by Chinese tradition as avant-garde...

It’s a week-night at Corsica Studios and the loudest club in London is packed out and shrouded in fog. Metal barriers carve out a makeshift...

We met up with the German duo to find out how their live show works and to understand their performance ethos...

Modeselektor are one of the most prolific electronic music duos in the world. Releasing their first records in 1999, they quickly found a home on...
On Cue: Perel

NYC/Berlin-based DJ, producer and vocalist Perel records a mix of wavy nu disco, thumping house and Italo for the On Cue series, and speaks to Katherine Rodgers about regaining her confidence after a debilitating label experience, and her bold and irreverent new album, ‘Jesus Was An Alien’

With her bright, exuberant personality and predilection for infectious dance music polished to a pop sheen, you’d be forgiven for thinking of German DJ and...

DJ Stingray is the Detroit electro pro whose razor-sharp mixing and production chops are the result of years of accumulated skill and knowledge. Now among...

There are many ways to frame the story of Sherard Ingram’s unique rise and stature as one of techno and electro’s most consistent, authentic and...

plugin subscriptions

As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency? 

Subscriptions are everywhere, whether we like them or not. In fact, a report ominously titled The End of Ownership in 2020 said that 78% of...

DJ Mag follows the Numbers boss from Glasgow to Glasto to hear about his unstoppable rise....

Jackmaster has hit the big league in recent times. The DJ who started out in Glasgow has now made a name for himself worldwide, yet...

Andy C explains how he's always kept the faith with drum & bass...

“When you’re drum & bass, you really are — you get it, and there’s nothing else like it. You can’t get assimilated into 4/4...

Nick Douwma presents his vision with new album ‘Torus’

Although he may take his sweet time to churn out a full length, Nick Douwma - more commonly known as Sub Focus – certainly knows...

"You have NO BUSINESS DJing if you can’t match two beats together, plain and simple. But DJing is not just about matching two beats together"

A few months ago, three-time DMC-winning turntablist and DJ Mag HQ alumnus DJ Craze raised eyebrows everywhere when he proclaimed that ‘sync is your friend’...

Vancouver duo Minimal Violence released their debut album 'InDreams' this year via Ninja Tune, reuiniting rave and ferocious techno with a raw, punk foundation. DJ...

The votes have been counted and the results are in! Here are the winners in DJ Mag’s Best of British awards 2021

Tim Reaper’s star has been rising for over a decade. In junglist circles, he’s moved past being the exciting new kid on the block to...

Detroit legend speaks out

Robert Hood was a member of Underground Resistance, the legendary militant visionary techno collective from Detroit. After leaving UR in the early 1990s, Robert pioneered a minimalist form of techno — along with Daniel Bell, Richie Hawtin etc — in reaction to the increasingly hardcore “too ravey” twists and turns that techno was taking.

London producer Swindle draws on assorted jazz, hip-hop, funk and dubstep influences in his great new album 'Long Live The Jazz'.

“I know what you mean, like on ‘Forest Funk’. I played that guitar! I just do what feels right. I mean, I’ve grown up around great music, especially jazz and funk and of course drum & bass, garage and everything else. I just like to play around. I’ll play with any instrument that I can get my hands on. A little bit of madness. I like to try and get my head working crazy, to make crazy music.”

The Avalanches’ debut ‘Since I Left You’ is one of electronic music’s all-time classics, a sample-heavy travelogue which charmed the globe in 2000-01. Then they...

There’s a phenomenon which takes place when you ride the Shinkansen between Tokyo and Kyōto. Bulleting past Mount Fuji at 199 miles per hour opens...

Three decades of Trade: celebrating 30 years of boundary breaking LGBTQ+ raving

The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy

It’s Sunday afternoon, 16th March 2008, and the dancefloor of Turnmills is packed with dancers in varying states of undress. Watching over them, grinning maniacally...