In 2014, Matt Sullivan, founder of Light In The Attic Records, travelled to Canada on a wild goose chase. He was searching for Lewis, real...
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With increasing appetites for old, ‘undiscovered’ music, reissue labels have seen a boom in recent years. Running a reissue label is a tender, laborious process...
Baile funk is a phenomena of Black Brazilian music. But despite a huge fanbase and cultural influence, funk is often criminalised in Brazil because of...
UK drill videos have played a crucial role in the sound's meteoric rise, with platforms like Mixtape Madness, Link Up TV, SBTV, and Pressplay Media...
Every era of British dance music has its myths and over-simplified narratives — hell, even little known local scenes have urban legends. Below, Matt Anniss...
As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...
One of dance music’s most recognisable characters is growing up. We talk to Seth about the repetitive party lifestyle, being a catalyst for change, and...
The original DJ cover star, Sasha was the face of ’90s clubland success and excess. His new Refracted:LIVE show redefines his special talent, delivering a...
It’s a cold, rainy night in 2013 at a spit-and-sawdust East London venue, the exact location of which is lost in the mists of time...
Though arguably most prominent in the ’90s, free parties and illegal raves have never gone away. Despite the increased surveillance from authorities, passionate DJs and sound systems continue to throw events in a similar way that they always have, looking to create a sense of community and an alternative to the commodified dance mainstream. Dave Jenkins heads to a free party, and speaks to some of the illegal rave scene’s advocates about why they keep the fire burning
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet
The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy
The relationship between dance music and British politics has often been fraught and confrontational. But in the last five years, promoters and politicians have started...
Under the name Maceo Plex, Cuban-American DJ/producer and label founder Eric Estornel is among the biggest players in electronic music. So why has he resurrected...
When Eric Estornel, now best known as techno titan Maceo Plex, was just three- years-old, things in his native Miami started to change. From April...
The centre of the clubbing universe, for such a little minx Ibiza certainly packs a lot of entertainment into its 571 square kilometers. Clubs, cave...
1. You can't leave Ibiza without losing your marbles at least once in Space and there's no better time or place than with We Love...
If hard techno is energetic work, then Sara Landry is a divine healer. Driven by an innate desire to connect with and unite the crowd, the California-born DJ is often credited as the high priestess of the breakneck sound, but behind her signature cloak of organised chaos lies an unshakable force for good. We catch up with the international star to learn more about her spellbinding sets, and why the masses are craving a fierce new edge