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Kaidi Tatham by Dan Medhurst

With a discography that spans jazz, broken beat, hip-hop and soul, Kaidi Tatham's influence on UK music is untold, but often under-appreciated. With his new album, 'Don't Rush The Process', he’s stepping into the spotlight like never before. Sam Walton speaks to him about escaping pigeonholes, learning by ear, and looking for the ‘ouch’ moment in music

On a Saturday lunchtime somewhere in Belfast, Kaidi Tatham — DJ, producer, multi-instrumentalist and one-time member of influential production crew Bugz In The Attic —...

Ben Cardew looks back at how Louie Vega and Kenny “Dope” Gonzalez’s rapturous 1997 homage to their musical roots

Two decades before Daft Punk rolled back the technological years on ‘Random Access Memories’, another iconic house duo went back to their roots. Kenny “Dope”...

Bradley Zero has built the reputation of his Rhythm Section label and parties by nurturing quality music rather than chasing trends. On a roll, his...

“I’m just pulling onto Rye Lane,” says Bradley Zero, as he drives from his flat in Peckham to his office and studio. 

It’s usually a...

How a couple of guys who didn’t get on and a singer they didn’t know created one of the year’s most intimate albums

For a couple of guys grinding on a hit-and-run DJ tour of the USA, Maribou State’s Chris Davids and Liam Ivory are in good spirits...

How a couple of guys who didn’t get on and a singer they didn’t know created one of the year’s most intimate albums

 

Words: JORGE HERNANDEZ Pic: WILLIAM COOPER MITCHELL 

For a couple of guys grinding on a hit-and-run DJ tour of the USA, Maribou State’s Chris...

New world order

Glastonbury isn't a festival, it's a settlement. Twice the size of Bath, it's more like a refugee camp for society's arty and most liberal than...

We're digging the psychedelic hip-hop and dub funk vibes of Mauritian-English Mo Kolours...

“I think with electronic music and modern day ideas about mastering and all these processes, people want to get rid of the background noise and...

Signed to the same label as Classixx and Nosaj Thing, LA duo De Lux's sunny perspective on disco-punk has earned them comparisons from Talking Heads...

Beaches, sunshine, convertibles, palm trees... and punk-funk, disco-influenced bands? While the may not be the first thing that comes to mind when thinking about Los...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

 A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

We sit down with the Dutch Metalheadz producer...

Teije van Vliet’s alter ago, Lenzman, is having a hard time getting to the United States. The 36-year-old Dutch DJ/producer, who is releasing his debut...

Vintage '90s images taken from old free party events

In the summer of 1989, DiY collective — one of the first house sound systems in the UK — emerged onto the rave scene. In this excerpt taken from founding member Harry Harrison's book, Dreaming in Yellow, he discusses DiY's role within that movement, and the importance of free parties during the '90s rave scene

Much has been written and debated over the years about just why the concept of a ‘free’ party was so important. Much more than simply...

Leon Vynehall sculpts a mix of experimental sounds, smoky house and peak-time techno for the On Cue series, and speaks to Ray Philp about finding...

Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, London-based Hyperdub affiliate...

The Shogun Audio don is on fire

I've just asked Thomas Green, aka Rockwell, one of d&b's hottest producers and DJs of 2013, who is No.1 on his wish list of collaborators. He's thinking about it. I ponder which jungle/d&b legend he's going to opt for. 
“Ian Mackaye,” he says. Nods affirmatively. “Definitely. I'm obsessed with Fugazi and Minor Threat. It's my first love in music — hardcore punk, I love Black Flag and Henry Rollins as well — in fact I went to see his spoken word show a few weeks ago. Ian MacKaye I think probably wouldn't be very into the kind of music I'd make so the results would be... interesting. But, yeah, I would love to work with him.”
Of course, such genre-bending surprise should be of NO surprise to anyone who's properly listened to Rockwell.