Skip to main content

Search


Results for: Heavenly

Video game live streaming platform Twitch has become an increasingly valuable way for electronic musicians to connect with their fans. Cherie Hu investigates the synergy...

As the global live streaming market for games generates an estimated $5bn a year, several tech corporations are fi ghting to claim their share of...

Amsterdam-based brit Paula Temple is renowned for her full-throttle hybrid performances and punky industrial productions, which have earned her wide respect across the techno scene...

It feels like our world is right on the edge. Climate change is looming exceedingly large, threatening our entire species in ways we often have...

From 25th - 29th July, Vancouver's CURRENT: Feminist Electronic Art Symposium will present a huge range of female and non-binary talent ranging from ferocious techno...

Vancouver’s CURRENT: Feminist Electronic Art Symposium has a simple motto – “Dream of a New Future”. Fundamentally, this five day event has been curated with...

Plus Richy Ahmed, wAFF, Patrick Topping & more...

Jamie Jones’ Paradise party at DC-10 has risen to become one of the island’s most popular, but it’s the family ethos behind the successful brand...

Double O and Mantra stand side by side on a dark, green-light background, Mantra's arm on Dubz shoulder

More than a club night and record label, Rupture has become a nexus point for the global jungle/drum & bass community, helping to galvanise a new generation while re-energising seasoned heads. Founders and life partners Mantra and Double O tell DJ Mag’s Ben Hindle about its evolution, and the importance of championing inclusivity and musical freedom

It’s early April and nearing 8am at East London nightclub, FOLD. The spirited vocal of DJ Vibes & Wishdokta’s ‘Midsummer Mist’ is cutting its way...

The UK capital is making major strides...

Pretty much the whole of clubland was appalled when Fabric had its license revoked a few months back — after all, if Fabric could be...

Dirtybird take their low end theory on the road

If there’s been one trend that’s wheedled its way into all corners of electronic music in the last two years, it’s bass. Indecent ladles full of the stuff, speaker stacks positively groaning with the strain of lowdown, filling-rattling subsSan Francisco’s techno overlord Claude VonStroke is incubating a nest full of underground club killers in 2012, set to hatch and dive-bomb clubs Angry Birds-style

Ibiza may be a small and perfectly formed island but with its many layers of hidden charms and nocturnal naughtiness it can be a tough...

1. Steady on son...

Even if you're only here for a week, like anything in life the Ibiza experience is at its best when you...

Paranoid London’s acid reign

Acid duo Paranoid London new album boasts a beefier sound than ever, and a host of new collaborators. Here, Joe Roberts meets them and learns how a chance meeting, faster tempos and the politics of the moment have shaped their new approach

It’s a dark, wintery evening in far North London and Paranoid London are in full flow at DRUMSHEDS, London’s latest super-venue. Opened on a former...

Before his death in 1982, Patrick Cowley produced some of the American gay underground's most thrilling dance music, from chart-topping disco to radical club tracks...

There’s a notorious scene in 1980 thriller Cruising that might be the best fictional time capsule we have of a wanton, unfettered gay dance floor...

Black and white image of a graffiti'd wall that reads "Kitchen Top Floor"

In the midst of the ruinous Thatcher era, Manchester’s Hulme Crescents estate became a haven for squatters, anarchists and acid house ravers, who converged in the hedonistic flat-turned-studio and after-hours club, The Kitchen. Kemi Alemoru speaks to former residents, DJs and familiar guests from the Madchester scene about the lasting impact this space had on the city’s cultural landscape

Welcome to Hulme Crescents, Manchester, an inner-city public housing experiment that, in the ’80s, became an amphitheatre of chaos and creativity. In this estate, acid...

Collage of various images from panels and parties at ADE 2023

Amsterdam Dance Event returned earlier this month, with the world’s biggest electronic music conference delivering its usual, unrelenting whirlwind of parties, panels and so much more. Here’s a handful of highlights from DJ Mag’s week at ADE 2023

DJ Mag’s involvement with the ADE Lab — the conference’s four-day tech-focused programme that takes place in and around the Flemish Cultural Center de Brakke...

COVID-19 has rapidly impacted the music industry — leaving thousands out of work. The government dumbfounded many when it was suggested that those from an...

Since the beginning of 2017, every weekend, the metal walkways and staircases of Printworks, the 5,000-capacity venue in London’s Surrey Keys, have vibrated to sounds...

As we enter a new decade, the ways in which we define electronic music styles are rapidly changing. Chal Ravens explores the etymological evolution of...

Bickering over genre definitions is a time-honoured tradition in dance music. One of the weirder etymological developments of recent years is the changing meaning of...

Streaming has come to dominate the music industry, but when it comes to actually earning money from plays, the electronic music community has been somewhat...

Streaming is everywhere. Earlier this year, Spotify announced that it has 217 million users, more than 100 million of which are paid subscribers. They’re followed...