In the summer of 2014, as resurgent grime anthems like ‘German Whip’, ‘Take Time’ and ‘That’s Not Me’ soundtracked a new generation’s joyful block parties...
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Gomma Records’ boss Munk has hooked up with some of the world’s hottest underground female vocalists for his new production album. DJmag finds out more...
“I like my jeans to be dirty and I like my music to be dirty too,” says Munk, aka Mathais Modica, co-owner of experimental dance...
A rising number of producers are making music that creates a soundtrack to those calmer moments in life. DJ Mag investigates...
Summer is in full swing, Ibiza still rocks and festival season has blossomed into hundreds of live-music infused explosions, happening in far-flung spots all over...
We catch up with the hardest working man in dance to talk his rise to fame, his Revealed Recordings label and his bid for world...
“After I do a gig, if I’m in a party mood, it’s my tour manager’s job to remind me that this is my job,” says 25-year-old megastar DJ Hardwell. “Even though when I DJ and travel it doesn’t feel like a job. It feels like a dream come true.”
Queen of UK urban dance, Ms Dynamite is back with a massive live date at London'??s SW4 Festival and an arsenal of club tunes that...
Ms Dynamite is excited. She’s just finished the DJmag cover shoot and is about to film the video for her brand new single ‘Wot U...
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Though never afraid to show vulnerability before, Loyle Carner opens himself up more than ever on new album ‘hugo’, shedding the image of UK hip-hop’s perfect ‘nice guy’ to explore his reconnection with his estranged father and his Black heritage, and what it means to become a dad himself
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Leon Vynehall sculpts a mix of experimental sounds, smoky house and peak-time techno for the On Cue series, and speaks to Ray Philp about finding...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
Cover Features
Brazilian DJ and producer ANNA's techno sound marries kinetic grooves with a wealth of emotion. With gigs all over the map and some of the most...
As someone who’s been DJing since she was 14 years old, it’s rare that Brazilian techno star ANNA is lost for musical inspiration. But DJ...
Shadow Child’s bass-heavy house music is all over the airwaves, dancefloors and beyond.
It’s a cold, wet Wednesday night in London but pumping across airwaves at 108.6FM are the ripping basslines, house beats, jazzy keys and liquid vocals...
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Syncopated club rhythms, radiant vocals and frenzied breaks from Paris-based purveyor of international club sounds, Jaymie Silk
Jaymie Silk’s Fresh Kicks mix whirls with colour and ferocity. Syncopated club rhythms, with flourishes of gqom, UK techno and Jersey club, dart through broad...
Signed to the same label as Classixx and Nosaj Thing, LA duo De Lux's sunny perspective on disco-punk has earned them comparisons from Talking Heads...
Beaches, sunshine, convertibles, palm trees... and punk-funk, disco-influenced bands? While the may not be the first thing that comes to mind when thinking about Los...
NERVO’s journey has always been about the music, and while it hasn’t always been a smooth ride, everything they’ve encountered along the way has become...
words: ERIN SHARONI pics: ANDREW RAUNER
“Hi! We’re at the airport again!” Liv pops up on the Skype screen, holding her phone at arm’s length...
Objektivity boss is fed up with being known as Mr 'Hey Hey'
“Everyone wants to call dance music EDM these days but I call that shit that’s popular — you know, the cheesy stuff — I call it PDM,” says New York DJ Dennis Ferrer. “That stuff everyone is going on about, it’s pop dance music. I take offence when someone calls my shit 'EDM' and lumps it in with all the crap. What I do is what I’ve always done, and I don’t like someone calling it anything else.”
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The votes have been counted and the results are in! Here are the winners in DJ Mag’s Best of British awards 2021
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From AUDRA festival in Kaunas, Lithuania, Martin Guttridge-Hewitt reports on a long-standing, tight-knit and thriving electronic music scene often overlooked by outsiders