There’s always been a certain irony to Simple Things, in that, there’s nothing really simple about the Bristol festival at all. Its line-up sprawls across...
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Our annual roundup of the wettest and wildest parties you can’t afford to miss this Miami season...
This month, the DJ Mag crew is heading back to the Magic City for another round of Miami madness. To help guide you through this...
John Digweed bids fond farewell to The Vagabond in Miami and reflects on rave days of yore while looking forward to his still-flourishing future
John Digweed was DJing long before the acronym “EDM” existed, let alone went mainstream and became the musical backdrop of Generation Now. In fact, back...
Dimitri Vegas & Like Mike are the Belgian DJ/production sibling duo everyone is talking about. DJ Mag grabs a chat with them ahead of their...
American DJs love doing a bit of it. The Dutch are always at it. Danny Tenaglia’s been known to have a go. And lately, if...
Saul talks about his new album, collaborations and a hatred of pirates.
Anonymity’s quite the fashion these days. Hand-stamped white labels from big-name producers emerge every week, with press releases proclaiming artists free from the shackles of fame, whose metaphorical masks let them experiment with sounds bereft of preconception. Which is all well and good when you’re knocking out short-run 12”s of faceless techno.
Funk-dripped drum & bass head plays us his most inspiring tracks
Always that most steadfastly independent genre, today drum & bass is splintered into a panoply of micro camps. In one corner, the giant, fizzy-pop electro chords and high fructose rushes of labels like Hospital; in another, the clipped, dark minimalism and sub bass caverns of its most underground soldiers, the Critical crew.
Sandeman & Mr Dickie (Wildkats)
The two Scottish components of Wildkats - alongside New Yorker relocated to London Corey Baker - Scott Dickie and Stuart Sandeman also DJ under the...
Features
Returning to the city after a five-year hiatus, Simple Things delivers a 10th anniversary programme that celebrates Bristol’s vibrant music scene whilst welcoming a kaleidoscope of international sounds into the fold. DJ Mag’s Olivia Stock reports back
Features
In the summer of 1989, DiY collective — one of the first house sound systems in the UK — emerged onto the rave scene. In this excerpt taken from founding member Harry Harrison's book, Dreaming in Yellow, he discusses DiY's role within that movement, and the importance of free parties during the '90s rave scene
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Encompassing parties, a record label and a beloved radio show, Errol and Alex Rita’s Touching Bass has created an open space to celebrate Black music in all its forms, from jazz to jungle and beyond. Alongside a woozy mix exploring the DNA of Touching Bass’ past, present and future by Sammseed, Ria Hylton documents the movement’s ethos and story so far
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House and disco infiltrator and Love on the Rocks label innovator Paramida steps up with a deliriously fun mix for her DJ Mag Podcast –...
For a person who once referred to herself as “Berlin’s most hated”, Paramida seems to be getting on just fine. As head honcho at the...
Features
Flawless DJ, frequent hitmaker, dedicated mentor: Tony De Vit was a true hero of UK dance music. The most high-profile resident at hedonistic queer club Trade, he helped create the hard house sound, and was renowned not only for his impeccable mixing, but his compassion and care for others. Ahead of a new documentary, and with hard house at large once more, Stewart Who? reflects on his legacy with those he was close to, and those he influenced
After a trip to South Africa, an engagement with politics and a need to explore new musical avenues, these Bears have teeth.
“If someone said to you ‘Jesus is drinking in a pub in Elephant and Castle’ you’d go and have a look wouldn’t you?” Well, bearded...
There's a new techno sound echoing from the post-industrial streets of one of the UK's biggest conurbations. Influenced by Berlin and Detroit, Manchester's young producers...
Our personal geography is one of the formative things about us. Our immediate surroundings and the people that surround us are our most important influencers...
London producer Swindle draws on assorted jazz, hip-hop, funk and dubstep influences in his great new album 'Long Live The Jazz'.
“I know what you mean, like on ‘Forest Funk’. I played that guitar! I just do what feels right. I mean, I’ve grown up around great music, especially jazz and funk and of course drum & bass, garage and everything else. I just like to play around. I’ll play with any instrument that I can get my hands on. A little bit of madness. I like to try and get my head working crazy, to make crazy music.”
Features
Irish DJ, producer and label owner Krystal Klear is flying high on the success of his disco epic ‘Neutron Dance’. We meet him in NYC...
Since moving to New York just over a year ago, Krystal Klear’s creativity, passion and vision is stronger than ever. The Irish DJ, producer and label...