“THE PIRATES were the only way you could get to hear the jungle stuff,” says Mike Paradinas, aka µ-Ziq, reflecting on the mix of influences...
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Features
Released in 1997, μ-Ziq’s ‘Lunatic Harness’ mixed jungle and out-there electronica in a way few had heard before. Here, Mike Paradinas talks to Ben Murphy about the influences that went into creating this genre-meshing gem, and his new album 'Magic Pony Ride'
Tech
Apple's new M1 chip has promised a lot with some eyebrow-raising early performance reviews. But how does it fare for the DJ / producer? DJ...
2019’s best compilations celebrated innovative styles and fusions from across the globe, as well as some of underground dance music’s formative sounds. Below, you'll find...
Features
Shanghai’s pioneering SVBKVLT label is creating a bold new future for electronic and club music, spearheading a movement inspired as much by Chinese tradition as avant-garde...
Features
In response to big room club culture, a number of grass roots promoters, venue managers, artists, and opportunists are seeing success from putting on free...
Features
The dance music history of East Anglia is rich, multi-layered and messy — and little documented. Matt Anniss chats to some of the scene’s longstanding figureheads about the region’s airfield parties, seaside throwdowns and forgotten clubs, discovering a vital but rarely discussed stage in the UK’s rave evolution
Who are the most exciting Ram acts now? We delve deeper into the world of Ram...
WILKINSON
29,200 Twitter followers, 126,569 Facebook fans and charting at No.8 in the UK Official Top 40, Wilkinson is big news, but it hasn't always...
Boys Noize opines on following true love, searching for the perfect sound, meeting Skrillex and Deadmau5, and having a strange relationship with melody...
In Germany towards the end of the nineties, Berlin was synonymous with hard-edged techno sounds but Hamburg was flying the flag for a more traditional flavour of house music. So the young Alex Ridha grew up surrounded by influences from Detroit and Chicago, which provided the fuel for a serious life-long vinyl addiction.
Features
Through her radio shows, DJ sets, parties and records, Colleen ‘Cosmo’ Murphy has encouraged dancers and listeners to enjoy the details and synchronicities of music. DJ Mag’s Anna Wall meets...
Features
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
Features
Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional
Features
Jungle pioneer M-Beat made some of the genre’s biggest chart hits, but disappeared from the industry in 1996. Having gone through hardships and been widely...
Features
They’re touted as a legislative firewall to keep Aussie partygoers safe, but have Australia’s unpopular ‘lockout laws’ irreparably damaged Down Under’s nightlife for good? DJ Mag...
A few weeks ago, a pair of successful Australian DJs wrote a letter. The now-famous note wasn’t to a manager, a booking agent or even...
Pumping out chart-topping dance anthems since he was 19, Alesso solidifies his headlining stature with debut album ‘Forever’. Now 23, the mega-producer discusses his evolving...
Here’s a fun fact: the peak of the northernmost cliff in Europe, Kebnekaise MoHuntain in Alesso’s native Sweden, has the highest fixed point in the...
Features
It’s an exciting time to be both a new and old fan of African music, but how does it feel for African artists raised and working in the diaspora? As producers and consumers, these artists have a unique vantage point on this cultural shift. Jessica Kariisa speaks to Nazar, Hagan, Juba and Chief Boima and asks: what does music from “back home” mean today?