Search

After four-plus decades of DJing and with a incredible list of releases — much of it produced with longtime partner Kenny “Dope” Gonzalez as Masters At Work — the pioneering Louie Vega would seem to have little to prove. Yet he’s working harder than ever, with the same energy he had as a young kid coming up in the Bronx. In the run-up to his date at DJ Mag’s Miami Pool Party 2024 at the Sagamore Hotel on March 20th, Vega took some time out of his hectic schedule to talk about how he got to where he is today

Aluna Francis’s life has been one of discovery — of uncovering truths about herself, about society, and about the fundamental ways in which the dance music industry fails people. The Wales-born, LA-based music maker, formerly of AlunaGeorge and now working as a solo artist, tells Bruce Tantum how she’s putting the knowledge she’s gained into practice via the new Noir Fever festival

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer