When Damon Albarn’s Gorillaz loped onto the scene with their self-titled debut album in 2001, this virtual band looked like it might be the future...
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Features
Gorillaz’ 2001 self-titled debut laid the foundations for Damon Albarn and Jamie Hewlett’s animated outfit. With a rotating cast of collaborators and a genre-merging style...
Music
As a show of solidarity to support the artists and labels impacted through the global pandemic, we are launching a weekly roundup of the most...
With a new album for Ninja just out, we attempt to unravel the idiosyncrasies of the man behind the music...
To describe Andy Carthy as a one-off is probably to understate the situation. He designs all his own album covers and artwork. He's launched his...
Features
From the histories of global scenes, sounds and labels, to explorations of music’s power to alter the fabric of society and forge communities, here are...
“The foundation of Dirty Dutch was always about embracing different genres of music, I mean, I’m built that way.” Dutch DJ/producer Chuckie is always one...
Chuckie is a man of exacting standards and surprising sentiments. Arguably the original pioneer of the Dutch house movement, Clyde Sergio Narain has made...
Features
The first dBridge album in 10 years pushes the boundaries of what drum & bass can be to the limit, but as we find out when we meet...
September 2018: Darren White, the artist we know best as dBridge, is in a good place. Literally, creatively, professionally, he’s in the midst of his most prolific and accelerated...
The Prodigy have defined a movement, a generation. Their new album is out today
“I think we should be a British institution. Everyone goes on about all of these other people from the '90s like Blur and Oasis, but...
DJmag's Jonnie Parker catches up with James Zabiela before his One+One set with Nick Fanciulli.
Listen to the interview here AUDIO
DJ Mag.
Yes yes, it's myself Jonnie Parker, we're down here at the DJ Mag Top 100 DJs party...
Features
30 years ago, a multicultural trio who found delights on New York City dancefloors released a single that merged funk, pop, and disco in a...
Features
Soul II Soul helped give Black British music and UK club sounds a truly unique identity. Collective founder Jazzie B talks about their ground-breaking debut, ‘Fairplay’, and traces his journey from London soundsystem culture to global star with Ben Osborne
Features
One of the world’s great party cities, Berlin is facing up to the COVID-19 pandemic in its own unique way. How are the clubs getting...
Features
Simian Mobile Disco’s Jas Shaw deals in machine-driven techno delicacies, as his recent ‘Exquisite Cops’ solo album demonstrates. But having swapped the urban surroundings of...
Tech
It's the most wonderful time of the year – whether you're treating yourself or looking for the perfect gift for someone else, we've got you...
Magda talks women in dance music, new event series PERM and her just-launched tequila brand...
Words: DANI DEAHL Pics: CORNELIA THONHAUSER & LEANDRO QUINTERO
Signed to Digital Soundboy, stepping into Annie Mac’s shoes, and getting ready for a crazy summer of festival appearances, B.Traits explains how a Canadian country...
In the music industry there are two types of meteoric rise. One is a scary, Susan Boyle-shaped process, where the basking lizard kings of pop pluck an unknown, polish them dumb, tell them what their new name, hairstyle and personality is, and thrust them mercilessly into the light, there to cavort for our pleasure.