It’s been a while since Reinier Zonneveld had to outsmart the cops. Nowadays, when the Dutch producer arrives at an event, it’s because he’s guaranteed...
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Alison Wonderland is on the verge of releasing her sophomore studio album, ‘Awake’, after an incredible 2017 that saw her debut at No. 89 on...
Alison Wonderland is serenading DJ Mag over the phone. We’re comparing tattoos, and this author only has one – a waveform from Modjo’s 2001 hit...
The Paris-based, NYC-born DJ/producer fronts this month's issue...
"Oh, I’ve done a lot of very different stuff,” LOUISAHHH!!! grins at DJ Mag across a backstage corridor. “I’m a certified cycling instructor, for example,”...
Before headlining international festivals with his immense live techno sets, Reinier Zonneveld cut his teeth on the Dutch underground rave circuit. Megan Venzin catches up with the artist to learn about his approach to performance, and why his fans can always expect the unexpected
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
2022 marks the 30th anniversary of the biggest and the most infamous illegal rave that ever took place: Castlemorton – a week-long, 20,000-person party deemed so anarchistic that it shook Middle England to its core. Here, photographer Alan Lodge tells his story of capturing a week changed UK dance music forever
Some of the most important DJs in the development of the UK scene are children of the Windrush generation. DJ Mag's editor-in-chief, Carl Loben, speaks to Black and mixed-race foundation DJs about their parents, racism, culture, and being pioneers in our beloved scene
Fisher has leapt from being a virtual unknown to a star on the international stage. The Aussie DJ/producer’s rapid rise has come largely due to...
Paul Nicholas Fisher is a straight up Strayan. True blue, down to earth, no messing about. He loves his music, he loves to surf, he...
If hard techno is energetic work, then Sara Landry is a divine healer. Driven by an innate desire to connect with and unite the crowd, the California-born DJ is often credited as the high priestess of the breakneck sound, but behind her signature cloak of organised chaos lies an unshakable force for good. We catch up with the international star to learn more about her spellbinding sets, and why the masses are craving a fierce new edge
The aftermath
You may have followed the gonzo tweeting from our roving US reporter, Drew 'Drewzilla' Millard, on the ground at Ultra Festival, Miami, for 2011’s...
With its high-energy beats, infectious dance routines and community ethos, Jersey club has become a global phenomenon. Tice Cin reports from New Jersey on some of the people pushing the sound forwards, the special moments they create, and their hopes for the future of the music
Aluna Francis’s life has been one of discovery — of uncovering truths about herself, about society, and about the fundamental ways in which the dance music industry fails people. The Wales-born, LA-based music maker, formerly of AlunaGeorge and now working as a solo artist, tells Bruce Tantum how she’s putting the knowledge she’s gained into practice via the new Noir Fever festival
She’s the Paris-based New Yorker who’s overcome the struggle of addiction and dance music industry tokenism to forge her own path. Louisa Pillott, aka LOUISAHHH...
"Oh, I’ve done a lot of very different stuff,” LOUISAHHH!!! grins at DJ Mag across a backstage corridor. “I’m a certified cycling instructor, for example,”...
Creating a safe environment on the dancefloor is crucial for the mental wellbeing of all club-goers, particularly those from marginalised communities. Christine Kakaire speaks to...
In the midst of the ruinous Thatcher era, Manchester’s Hulme Crescents estate became a haven for squatters, anarchists and acid house ravers, who converged in the hedonistic flat-turned-studio and after-hours club, The Kitchen. Kemi Alemoru speaks to former residents, DJs and familiar guests from the Madchester scene about the lasting impact this space had on the city’s cultural landscape