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Julia Toppin selects 10 essential documentaries that paint a portrait of 30 years of jungle drum & bass, charting the stories of its origins to...

When compared to other UK dance music genres, the documentary coverage of jungle drum & bass is remarkably thin on the ground, largely limited to...

Bristol’s Livity Sound label has crafted a distinctive style and sonic blueprint, drawing from dub techniques but impossible to categorise. Celebrating a decade in existence...

In 2011, the dust from the dubstep explosion was still up in the air. The initial UK wave had split between a formulaic festival sound...

After intensive, early lockdowns, China's events industry is gradually returning to pre-pandemic levels, with safety measures in place. Bruce Tantum speaks to a selection of DJs...

In mid-August of last year, scenes from an electronic music festival at a water-park in Wuhan, China were beaming across the internet. The photos and...

COVID-19 has rapidly impacted the music industry — leaving thousands out of work. The government dumbfounded many when it was suggested that those from an...

Since the beginning of 2017, every weekend, the metal walkways and staircases of Printworks, the 5,000-capacity venue in London’s Surrey Keys, have vibrated to sounds...

Electronic maverick Squarepusher’s new album finds him breaking his own rules, and drawing from the past for inspiration — but being him, it’s no simple nostalgia exercise. DJ...

In 1996 Dutch production company Lola Da Musica made a documentary, simply titled Drum & Bass, that has acquired cult status on the internet. Featuring...

Progressive house champion Cristoph shows us round his Newcastle haunts, and tells us how his friends and family, and the patronage of Eric Prydz, have...

Cristoph is leaning on a railing overlooking Tynemouth Bay as the sun beats down. He often comes here to walk. At 25C and rising, though...

Inspired by the Midwest American raves that first got her hooked on dance music, Chicago’s Eris Drew wants to bring a psychedelic communal energy and...

Autumn has arrived in Berlin, all bright and crisp. Eris Drew opens her windows and the air cuts through the scent of lavender inside. There’s...

Photo of Dirty K next to the packshots of releases chosen in his Selections

In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Dirty K charts a history of ‘90s and early ‘00s East Asian rave music in ten tracks

The hyperactive tracks on Chinese producer Dirty K’s ‘Myogi 妙義’ EP serve a dual purpose. Released via Eastern Margins – a London-based label dedicated to...

As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...

DJs and producers are supposed to be on the same side. For decades now, producers have made the music, and DJs have played it. Simply...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

Tony De Vit DJing. He's wearing an orange sweater with his left harm held high over his head, with a big smile on his face.

Flawless DJ, frequent hitmaker, dedicated mentor: Tony De Vit was a true hero of UK dance music. The most high-profile resident at hedonistic queer club Trade, he helped create the hard house sound, and was renowned not only for his impeccable mixing, but his compassion and care for others. Ahead of a new documentary, and with hard house at large once more, Stewart Who? reflects on his legacy with those he was close to, and those he influenced

In case you hadn’t noticed, hard house is back. Though for some, like the ill behaviour, it never went away. A new generation of DJs...

After Astroworld, what is being done to stop crowd crushes from happening again?

After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer

There are few gulfs like that between the throes of a party and the aftermath of a tragedy. It’s an abyss Keith Still is familiar...

The relationship between dance music and British politics has often been fraught and confrontational. But in the last five years, promoters and politicians have started...

Ever since the late 1980s, UK dance music’s interactions with politicians, police officers and mainstream public opinion have been defined by suspicion, misunderstanding or outright...

She's built a rock-solid unit that's celebrating a decade of electronic music brilliance this year...

It’s the 1st May. ‘May Day’ public holiday in Berlin, traditionally the time when the city transforms from the grey, oppressive bleakness of its...

Few countries have been as devastated by Covid-19 as India, with recent studies estimating that the death toll has likely exceeded three million, more than...

As countries across the Global North vaccinate their populations against Covid-19 and exit pandemic-related restrictions, the dance music industry is entering a moral and ethical...