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It’s an exciting time to be both a new and old fan of African music, but how does it feel for African artists raised and working in the diaspora? As producers and consumers, these artists have a unique vantage point on this cultural shift. Jessica Kariisa speaks to Nazar, Hagan, Juba and Chief Boima and asks: what does music from “back home” mean today?

Since electronic music’s early days, Wales has produced incredible artists, but is often overlooked in its history. Here, Dave Jenkins celebrates the unsung heroes of the scene and meets a new generation putting their national identity at the forefront of their music

For three decades, Yen Sung has been at the beating heart of Lisbon’s club scene. As a longstanding resident at Lux and its downtown predecessor Frágil, and as a producer of timeless house tracks, she’s rightly earned her legendary in Portuguese dance music. But as April Clare Welsh learns, she’s busier and more energised than she’s ever been. Alongside a thumping On Cue mix of pure dancefloor energy, she shares her story

Manchester's Happy Mondays drew influence from funk, house, and psychedelia to pioneer the Madchester sound. Here, Ben Cardew explores the lasting legacy of their 1990 album, ‘Pills ’N’ Thrills And Bellyaches’, which dropped in the midst of the Baggy takeover, and defined an era

Detroit saxophonist, producer, and vocalist Norma Jean Bell is responsible for some of house music’s most glorious moments, and has worked alongside the likes of Moodymann, K-Hand, Ron Trent and George Clinton. Her full-length opus, 'Come Into My Room', released in 2001, proved that she really is “the baddest bitch in this room”