Honey Dijon has shared the details of her forthcoming album, ‘Black Girl Magic’, which will be released via Classic Music Company on 18th November. The...
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The long-anticipated album arrives via Classic Music Company in November
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The video for the single was directed by 'Severance'’s Aoife McArdle
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At Portugal’s Semibreve festival, we sat down with Suzanne Ciani, a pioneer of electronic music and modular synthesis, and dance music disruptor Rian Treanor, who...
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"What if you could sing a silly tune and rebuild it from classical music files? You can do this with Samplebrain"
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"I Googled 'what do garage MCs say?' on stage"
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Meg Ward takes over DJ Mag HQ from 17:30 (BST) on Friday 6th May
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Blending hip-hop, house and influences from New York’s ballroom scene, Cakes Da Killa has been opening up the conversation around LGBTQ+ artists in rap. He speaks to Nathan Evans about developing his style, the appropriation of queer and ballroom culture, and finding inspiration in the Harlem Renaissance for his new album ‘Svengali’
LBS, Circus, Egg, London
Laurent Garnier's last-ever London Live Booth Session (LBS) at Egg is one way to warm up a bitter winter evening...
A pint-sized analogue monster...
When it comes to soft-synths, there are few names as highly esteemed in the world of production as Arturia’s. This is largely because of their incredibly faithful reproductions of classic synthesisers that are used daily by the biggest names in the game. In recent times, Arturia have taken the bold move of going beyond the virtual world by creating their range of hybrid Spark drum machines and the full-blown DSP monster Origin, which have proven to be extremely popular with the recording community — and for good reason too.
Scuba (stage) diving!
The Hotflush boss swapped the grimy innards of basement clubs for the cavernous realms of The Forum for his latest live show...
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It features production from Call Super, Shanti Celeste and more
Features
Girls Don’t Sync are booting down barriers in dance music with their unrivalled energy and community-building ethos. Right off the back of their massive sold-out show at KOKO in London, and ahead of their sold-out headline show at The Warehouse Project in Manchester, they chat to Sophie Walker about creating a welcoming dancefloor, keeping things fresh, and inspiring others to follow their dreams.
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Brandon Wisniski has refused to let anyone stifle their “batshit crazy dream” of becoming a pop culture icon. Now, as Megan Venzin discovers, the queer rapper and producer known as Wreckno is breaking boundaries and fostering inclusive spaces so others like them can reach the stars
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"There have been a number of films covering Ibiza club culture, but none has come close to Kevin and Perry, in terms of its everlasting popularity"