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Vintage '90s images taken from old free party events

In the summer of 1989, DiY collective — one of the first house sound systems in the UK — emerged onto the rave scene. In this excerpt taken from founding member Harry Harrison's book, Dreaming in Yellow, he discusses DiY's role within that movement, and the importance of free parties during the '90s rave scene

Much has been written and debated over the years about just why the concept of a ‘free’ party was so important. Much more than simply...

Even the top DJs had to learn from someone. In the Top 100 set questions in the preceding pages, we asked all the DJs voted...

This month we’ve learnt who the public have voted as their favourite DJs, but who are the DJs’ favourite DJs? Who inspired them and put them...

Ireland’s drill scene has been blowing up since 2018, with homegrown rappers and producers putting their own spin on the world-conquering sound. Robert Kazandjian speaks...

Every drill scene has its transcendent track; one so potent that it blasts hyper-localised sounds out towards national and international listeners. ‘Don’t Like’, ‘Let’s Lurk’...

Brazilian DJ and producer ANNA's techno sound marries kinetic grooves with a wealth of emotion. With gigs all over the map and some of the most...

As someone who’s been DJing since she was 14 years old, it’s rare that Brazilian techno star ANNA is lost for musical inspiration. But DJ...

Three decades of Trade: celebrating 30 years of boundary breaking LGBTQ+ raving

The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy

It’s Sunday afternoon, 16th March 2008, and the dancefloor of Turnmills is packed with dancers in varying states of undress. Watching over them, grinning maniacally...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

DJmag is swallowed into the audible vortex that is the new Kaoss pad 3 and pulled out the whole with some frontline reports from Product.01

When the original KP (Kaoss Pad) landed it split the music tech world in two, some saw it as a mere toy, while others embraced...

It first happened at a media dinner about five years ago. I was sandwiched rather uncomfortably between two older international journalists — one from Amsterdam...

Charlie and Eli from Soul Clap have been let loose on the back catalogue of seminal garage label Nice N' Ripe

In the summer of 1996, when Eli Goldstein was 14, he discovered something that would quite literally change the course of his life. Was it...

Part of a collective of East London MCs pushing UK drill into new territory, V9 (pronounced Venom) speaks to DJ Mag's Rob McCallum about his...

It’s late on a Saturday evening in August and V9 is in the vocal booth at the Bermuda Music studio in North London. His engineer...

Detroit-raised polymath Jimmy Edgar has always stood out as an artist of out-there brilliance. But since starting Ultramajic, alongside Machinedrum and Pilar Zeta, he’s manifested...

"The universe is all about creativity, it's all about learning, it's all about knowledge," Jimmy Edgar ventures when we sit down to talk about Ultramajic...

Richie Hawtin is one of the most pioneering artists in electronic music, and a true proponent of techno’s future-focused ideology. As the winner of DJ...

The low spring sun is struggling to make a difference as the staggered city peaks of Central London interrupt its pale light. We’re at 180...

Online DJ mixes may be disposable but Rotterdam techno stalwart Speedy J reckons they’re worth more than that

Online DJ mixes may be disposable but Rotterdam techno stalwart Speedy J reckons they’re worth more than that, which is why he’s putting out an...

With her contagious effervescence and imaginative foresight, Alison Wonderland is dance music's newest badass on the block. 

 

There is a fine line between trying and doing. Alex Scholler, aka Alison Wonderland, is undoubtedly doing … and on her own terms. Effortlessly cool...

TYGAPAW: music for the revolution

TYGAPAW makes music with a message of liberation, and of working toward a world where everyone is free to be true to themselves. It also happens to be music that slams. Bruce Tantum meets the Brooklyn-based artist to learn about their long journey to get to where they are now, and the road ahead

There’s a documentary called Underplayed, released in 2020, that focuses on gender, ethnic, and sexual equality issues within the electronic music world as seen “through...