“Who even writes a bloody dance tune called ‘Lazy’?” laughs Ashley Beedle. Fellow X-Press 2 founders Rocky and Diesel chime in with the chuckles, as...
Search
Results for: Trouble Vision
Features
Released in 2002, a dream collaboration between UK house heroes X-Press 2 and Talking Heads' David Byrne, ‘Lazy’ lit up clubs and the pop charts alike. Here, Dave Jenkins talks to the group’s Ashley Beedle, Rocky and Diesel about how the track transcended generations and genres to become a timeless hit
Features
UK label Champion Records is celebrating its 35th year with a series of remixes of classic releases. The label's best-known hit is Robin S' ‘Show...
Features
Amidst the horrors of russia's war on Ukraine, local DJs, producers and music professionals have had their lives ripped apart, but many have passionately continued their work at home and abroad, using their experience to provide funds and direct aid to causes on the ground. Here, Tanya Voytko talks to artists from across the country about their personal experiences over the past six months, and to learn how they’re striving to preserve and promote their rich and diverse electronic music culture
Features
With music venues shuttered across the nation, and no timeframe for reopening, the future looks bleak for UK clubbing. DJ Mag speaks to venue owners...
Features
For 20 years, Simon Dunmore's Defected has been dedicated to the finest in house music, from its label and numerous associated imprints, to its events...
“I’m a collector of labels. My ambition was for people to have a Defected rack in their collections in the same way they'd have a...
Features
When the South Bronx dance-punk outfit ESG released their Martin Hannett-produced debut EP in 1981, they had no idea how pivotal their stripped-back, funk-fueled sound would be on the evolution of hip-hop and house music: ‘UFO’ has been sampled over 500 times; ‘Moody’ was a staple in Larry Levan’s Paradise Garage sets. Four decades later, ahead of their set at Melting Pot & Optimo’s Queen’s Park Spring Weekender, Daniel Dylan Wray tells their story
Features
In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings
Features
From back-to-back travel and navigating unknown places, to the thrill of peak time raving and the low of the next day, touring DJs lead lives...
Features
The past few years have seen mental health pushed to the forefront of conversation in electronic music; however, the effects of racism are still not...
Features
Flawless DJ, frequent hitmaker, dedicated mentor: Tony De Vit was a true hero of UK dance music. The most high-profile resident at hedonistic queer club Trade, he helped create the hard house sound, and was renowned not only for his impeccable mixing, but his compassion and care for others. Ahead of a new documentary, and with hard house at large once more, Stewart Who? reflects on his legacy with those he was close to, and those he influenced
Tech
We show you how to stream your DJ sets – with high quality audio – using your phone and computer
Features
Before his death in 1982, Patrick Cowley produced some of the American gay underground's most thrilling dance music, from chart-topping disco to radical club tracks...
Features
With inventive production and animated lyrics in Spanish and English giving unique takes on violence and, of course, weed, Cypress Hill's 1991 debut introduced them...
Features
Born in the UK in the early ‘90s, during a period of explosive creativity, the freeform breakbeats of jungle became the soundtrack to many producers’...
An avalanche of snare drums, sub-bass that pulverises your rib-cage, possessed divas wailing from the abyss; fragments of funk, shards of techno, dabs of dancehall...
Features
Detroit saxophonist, producer, and vocalist Norma Jean Bell is responsible for some of house music’s most glorious moments, and has worked alongside the likes of Moodymann, K-Hand, Ron Trent and George Clinton. Her full-length opus, 'Come Into My Room', released in 2001, proved that she really is “the baddest bitch in this room”