“The expectations on musicians are higher than they’ve ever been,” says Chris Clark. “And the payoff is lower than it’s ever been.”The producer and composer...
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DJ Mag charts the history of the Aus dance scene, and why the future looks bright...
Shrimps on the barbie, Crocodile Dundee, Bondi Beach, Steve Irwin, Kylie Minogue, the Sydney Opera House; Australia has always touted — for better or worse...
Dance Mania transformed Chicago house from its '80s roots to a rough, raw, x-rated version that banged harder than anyone else. Now, after 13 years...
If Live Nation, SFX and Beatport owner Robert Sillerman is hoping to monopolize the world of EDM, then he may just be copying Daft Punk...
As dance music culture recovers from the pandemic, artists like Klein, Clark and Afrodeutsche are opening up new frontiers for themselves
Miami bass and electro innovator Danny Daze takes DJ Mag’s Megan Venzin on a tour of his home studio and some lesser-known pockets of his hometown, and chats about his Cuban-American heritage, and mentoring the creators of South Florida’s next big sound
London’s Ibibio Sound Machine are back with their fourth album ‘Electricity’. Produced by Hot Chip, the release is more electronic than ever, but retains their classic Afro funk energy. Ben Murphy speaks to vocalist and songwriter Eno Williams and co-founder/saxophonist Max Grunhard about expanding their sound, mixing English and Ibibio lyrics, and the endless joys of playing live
Data is the new currency and DJing is about to get rich. The endless stream of data generated from cloud DJing will go on to affect...
After years in the UK underground as solo artists, brothers Tom and Ed Russell, formerly known as Truss and Tessela, have made huge strides as a duo in recent years as Overmono. Lauren Martin learns how they’ve built a sound and A/V live show that taps into UK dance music legacies, all while staying true to themselves
Running the musical gamut from minimal techno to abstract hip-hop, dubstep to Baile funk, via ska, electro pop, house and Balearica, Sonar truly has something...
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Can Matt Edwards, aka Radio Slave, really do no wrong? Not content with simply knocking out the funkiest techno and most mind-twisting house with...
On his debut album, 'What I Breathe', Aussie-born, London-based DJ and producer Mall Grab marks a new creative chapter in his journey, far from the lo-fi house sound that shot him into the spotlight in 2015. Filled with grime and jungle influences, tracks featuring Novelist, D Double E, Nia Archives and Turnstile's Brendan Yates, as well as his own vocals, it's his most ambitious work to date. Here, Kristan Caryl chats to him about ADHD, being an outsider, dogs, style, hardcore and more
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German techno DJ/producer Helena Hauff is riding the crest of a wave right now. An analogue freak signed to Ninja Tune-affiliate label Werkdiscs — the...
Dutch duo ANOTR have amassed a huge audience with their emotional house music and incredible club events centred around art and human connection. Ahead of their appearance in Miami at the DJ Mag pool party, they tell Amy Fielding how risk-taking, open-mindedness and collaboration are at the heart of everything they do
Vintage Culture has come a long way from a small town in Brazil to playing stadiums, topping dance charts and partying with football royalty. After suffering near-burnout from constant touring, he’s recharged and full of vitality, with a deeper sound he loves with all his heart, hundreds of tunes ready to go, Ibiza and Las Vegas residencies scheduled, and a set lined up at DJ Mag's Miami Pool Party
Julia Toppin selects 10 essential documentaries that paint a portrait of 30 years of jungle drum & bass, charting the stories of its origins to...
Known for his work with RÜFÜS DU SOL, Broods, Hayden James and others, Grammy-nominated producer, mixer, and DJ Cassian is proof that if you build...
Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future