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Results for: Killer Sounds

Congo Natty

On his upcoming 25-track opus ‘Ancestorz’ — which he describes as his life's work — long-serving jungle soldier Congo Natty unites many voices from across the diaspora, joining dots through the history of Black music and celebrating the new jungle generation. In a series of in-depth interviews for DJ Mag, he talks to Dave Jenkins about love, revolution, unity, and reclaiming his place in the history books

“This isn’t an interview, brother, this is an outerview!” Congo Natty declares. He draws on his spliff, holding DJ Mag’s gaze with intensity. Even through...

Vestax’s evolution in the VCI series takes the controller range to a whole new level...

Vestax’s evolution in the VCI series takes the controller range to a whole new level...

Pioneer’s new Rekord Box software delivers the goods...

Rekord Box is Pioneer’s digital answer to the vinyl cases that DJs used to lug around. In the fabulous old days of records, there would...

Stepping away from EDM, musical foundations, why Ibiza still trounces Las Vegas, and more...

Kölsch is a man of taste. Well over six foot tall and wearing his signature black Panama hat, he exudes warmth and charisma when we...

It’s true that house music would still exist if Marshall Jefferson hadn’t been around to guide it — but it’s equally correct to say that without Jefferson...

Memories fade over time, and what memories remain become more and more shaded by personal experiences and personal interests. That helps to explain, in part...

With a mix about to drop in Fabric's celebrated series, DJ Mag joins Alan on the road...

We’re standing behind the booth, staring at an endless sea of Glaswegians bathed in strobes — baying for more. Or that’s what it sounds like...

Photo of Louie Vega wearing a black shirt and hat with a white blazer

After four-plus decades of DJing and with a incredible list of releases — much of it produced with longtime partner Kenny “Dope” Gonzalez as Masters At Work — the pioneering Louie Vega would seem to have little to prove. Yet he’s working harder than ever, with the same energy he had as a young kid coming up in the Bronx. In the run-up to his date at DJ Mag’s Miami Pool Party 2024 at the Sagamore Hotel on March 20th, Vega took some time out of his hectic schedule to talk about how he got to where he is today

Sitting in his Manhattan studio on a weekend evening, wide-brimmed hat on his head and, behind him, shelves crammed with thousands of records — most...

As a show of solidarity to support the artists and labels impacted through the global pandemic, we are launching a weekly roundup of the most...

The global pandemic of the novel coronavirus, COVID-19, has had a devastating impact on our scene, leading to the cancellation of countless club nights and...

Paranoid London’s acid reign

Acid duo Paranoid London new album boasts a beefier sound than ever, and a host of new collaborators. Here, Joe Roberts meets them and learns how a chance meeting, faster tempos and the politics of the moment have shaped their new approach

It’s a dark, wintery evening in far North London and Paranoid London are in full flow at DRUMSHEDS, London’s latest super-venue. Opened on a former...

Fresh Kicks 187: Tarzsa

Manchester DJ, NTS resident and BBC Radio 6 regular Tarzsa records an uplifting mix of warming, soulful house for the Fresh Kicks series, and chats to Eoin Murray about her lifelong love of sharing music with others

As a teen, Tarzsa would come home from school and record music off MTV with her phone. The next day, she’d bluetooth her bootlegged discoveries...

Effy Mai in the woods

Norwich-based DJ and Gonzo's Two Room resident Effy Mai drops a decades-spanning mix of electro, chuggy bangers and abstract club tracks for the Fresh Kicks series, and chats to Amy Fielding about Gonzo's' sense of community, early gig nightmares and her first set of Technic 1210s

Earlier this year, DJ Mag spent some time in Norwich at Gonzo’s Two Room: a 200-capacity venue reigniting club culture on the UK’s east coast...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

Mele

Melé used to pandemic to regroup and refocus. With a lot of new music and a renewed sense of energy, the Liverpool-born DJ/producer is ready to get back out on the road and hit Miami for DJ Mag's Pool Party

“The strangest situation was in 2018 when I got a phone call saying The Prodigy want me on tour,” electronic musician Melé says. “That blew...

Spring is almost here, so march right in!

HISTORY – A JOURNEY THROUGH HOUSE, MAGNA SCIENCE AND ADVENTURE PARK, SHEFFIELD
Saturday 7th March
Todd Terry, Farley Jackmaster Funk (DJ set and live...

Dead Prez give us a free remix from M1's side project, AP2P + M1 interview

AP2P (All Power to the People) is the collaboration between M1-Dead Prez and Italian producer Bonnot. Like Dead Prez, AP2P specialize in socially conscious hip-hop...