Why did hip-hop slow down to a syrupy crawl in Houston, Texas, three decades ago? There are many theories, but Houstonians, who had come late...
Search
Results for: Club Space
We catch up to find out all about his new project...
Carl Craig, one of the most important artists in techno, has been working with an orchestra to breathe new life into some of his back...
An intimate look at the bass wizard behind Flux Pavilion reveals a magnetic soul who uses his feelings as a force to drive his creations
Flux Pavilion is a man in touch with his feelings. He prefers love over hate, chords over kick drums, and wants desperately to play for...
In his new book, Lance Scott Walker tells the story of DJ Screw, the maestro of Houston’s chopped ‘n’ screwed ‘90s rap scene. Here, Marke Bieschke speaks to the author about this unique moment in hip-hop history, and Screw's incredible legacy
Amapiano has become a world-conquering genre since emerging in South Africa over a decade ago, with the sound mutating in recent years to solidify its place as an embedded dance music culture. Here, Shiba Melissa Mazaza asks: who are the South African artists carrying the torch for amapiano right now?
Spiral Tribe were ‘90s Britain’s hardest hardcore techno crew – a travelling party troupe of anti-authoritarian acid-adventurers, and a scourge of the establishment. With co-founder Mark Harrison in the midst of writing a book on their story, and PRSPCT Recordings recently releasing a collection of classic cuts from live Tribe duo R-Zac, Harold Heath dives into their history, legacy and vow to 'Never Stop'
On his upcoming 25-track opus ‘Ancestorz’ — which he describes as his life's work — long-serving jungle soldier Congo Natty unites many voices from across the diaspora, joining dots through the history of Black music and celebrating the new jungle generation. In a series of in-depth interviews for DJ Mag, he talks to Dave Jenkins about love, revolution, unity, and reclaiming his place in the history books
With increasing appetites for old, ‘undiscovered’ music, reissue labels have seen a boom in recent years. Running a reissue label is a tender, laborious process...
Claire Francis travels to Stihia festival to find an event that serves as a vital platform for emerging DJs from within Uzbekistan, as well as supporting local sustainable development
With a string of powerful releases, including the recent ‘Panther In Mode’, Alewya creates a musical universe that merges the spiritual and the physical. DJ...
From the underground mixtape beatmakers, to those crossing over into the rap mainstream and drill scenes at home and abroad, Colin Gannon asks — who...
Techno would not exist as it does today without Kevin Saunderson. Some of the Detroit techno architect’s most revolutionary work has been released under the...
Claude VonStroke and his Dirtybird label celebrate 15 years with the wind beneath their wings this year. To mark the anniversary, the label head is celebrating...
In a candid interview, the Hot Creations creator opens up about music and life...
For Jamie Jones, music is a reflection of his feelings and raving is a family affair. With his devotion to good vibes and a creative...
With summer's subterranean smash tune ‘Jack’ signed to a major and chart success beckoning, Ben Westbeech, aka Breach, tells us how he’s heading for the...
Pop music has always run from the sublime to the irredeemable. The charts have rotated from gold to grot since the dawn of the Hit Parade, and the model doesn’t look likely to change anytime soon. So whilst there are always dark periods when commercial radio is little more than a cemetery of tired ideas, dug up and forced to fandango one more time, every now and then a new generation of musicians kick down the door, reset the rules, and party ‘til the lights come on.
Aluna Francis’s life has been one of discovery — of uncovering truths about herself, about society, and about the fundamental ways in which the dance music industry fails people. The Wales-born, LA-based music maker, formerly of AlunaGeorge and now working as a solo artist, tells Bruce Tantum how she’s putting the knowledge she’s gained into practice via the new Noir Fever festival