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As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency? 

San Fran-based DJ and producer Chrissy outlines his guide for ripping vinyl so they sound full, loud and powerful on a club system. With tips and tricks around needles, preamps, turntables, software and file formats, it's a go-to guide for anyone who wants to digitise their record collection

DJ Lag’s thrilling debut album is a testament to gqom’s versatility, and its ability to cross-pollinate with the sounds of amapiano and deep house

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today