“I’m finally home.” Those three words are among the first that the South African DJ and producer Palesa Desiree Shilabje utters when DJ Mag catches...
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Leslie delivered the most educated, informed and damning defense of the evening...
fabric had its licence revoked in the early hours of this morning (7th September), at the end of a licensing hearing that saw Islington Council...
Soaring ascents, the kind that can take an artist from obscurity to stardom in what seems to be the blink of an eye, don’t occur often, in dance music or elsewhere – those who are lucky enough to have that experience often disappear just as quickly. But there’s little chance of a quick fade for South Africa’s Palesa Desiree Shilabje, the DJ and producer known to the world as DESIREE, who in just a few short years has proved to be one of the international festival circuit’s most exciting new stars. Here, Bruce Tantum hears her story, and about how her evolution through music has been as organic as they come
As DJs, producers and labels all get their biggest musical bombs ready for Miami’s annual musical showcase, DJMag looks back at the history of Big...
Is it the dance music equivalent of the Holy Grail or a merely an empty, outdated myth? That’s the question hanging over the concept of...
London’s Ibibio Sound Machine are back with their fourth album ‘Electricity’. Produced by Hot Chip, the release is more electronic than ever, but retains their classic Afro funk energy. Ben Murphy speaks to vocalist and songwriter Eno Williams and co-founder/saxophonist Max Grunhard about expanding their sound, mixing English and Ibibio lyrics, and the endless joys of playing live
As dance music culture recovers from the pandemic, artists like Klein, Clark and Afrodeutsche are opening up new frontiers for themselves
DVS1 is one of techno’s most well-respected DJs. He’s paid his dues, spent a couple of decades getting to where he is today, and it’s...
Upstart tech like blockchain has been dominating discourse around the music industry's next steps and has become one of the most divisive trends of the past 12 months. Declan McGlynn speaks to Plastician about why he believes it's the future for independent labels, promoters and artists
When Mason first released ‘Exceeder’ in 2005 it was a B-side. But its fuzzy bassline and gated trancey notes garnered a legion of fans, and it became a key building block in the pre-EDM electro-house scene. 17 years later, he shares its story
Clubs across England opened dancefloors for the first time in 16 months during the early hours of Monday morning (19th July). But while people hit...
Slowly but surely, dance music in northern England is rebuilding, and the past year has encouraged some promoters to rethink how they can make clubs...
Simian Mobile Disco’s Jas Shaw deals in machine-driven techno delicacies, as his recent ‘Exquisite Cops’ solo album demonstrates. But having swapped the urban surroundings of...
Avian accomplices Armand Van Helden and A-Trak are Duck Sauce — the fun-loving duo behind house mega-hit ‘Barbra Streisand’, as well as countless underground club smashes...
Techno would not exist as it does today without Kevin Saunderson. Some of the Detroit techno architect’s most revolutionary work has been released under the...
Bristol’s Livity Sound label has crafted a distinctive style and sonic blueprint, drawing from dub techniques but impossible to categorise. Celebrating a decade in existence...
On his upcoming 25-track opus ‘Ancestorz’ — which he describes as his life's work — long-serving jungle soldier Congo Natty unites many voices from across the diaspora, joining dots through the history of Black music and celebrating the new jungle generation. In a series of in-depth interviews for DJ Mag, he talks to Dave Jenkins about love, revolution, unity, and reclaiming his place in the history books