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The latest and greatest DJs and producers rising to top this month. From new wave drum & bass, breaks and techno to experimental pop and...

Missouri-based Duncan Winslow is a busy man; not only a musician, he runs a production YouTube channel and is a middle school orchestra teacher. He...

Leon Vynehall sculpts a mix of experimental sounds, smoky house and peak-time techno for the On Cue series, and speaks to Ray Philp about finding...

In DJ Mag's March artist charts, four DJs select their top 10 tracks of the month, spanning moody jungle, '90s acid, classic reggae and dubby...

UK trio Denham Audio have entrenched themselves at the front of the new wave of breakbeat hardcore producers through a multitude of racuous cuts and...

The Magic City has a long history of homegrown styles that demand attention. Chief amongst these is Miami bass: a rough and tough blend of electro, hip-hop...

“An 808, heavy sub-bass and a snare that isn't shy. Sometimes a really dirty vocal.” These are the key ingredients of any Miami bass track...

The latest and greatest DJs and producers rising the top this month. From percussive house, bass and breaks to galactic ambient and electro, here's September's...

POTÉ
Poté has already been on quite the journey, both literally and musically. Until the age of 12 he lived by the beach in St...

Three decades of Trade: celebrating 30 years of boundary breaking LGBTQ+ raving

The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy

It’s Sunday afternoon, 16th March 2008, and the dancefloor of Turnmills is packed with dancers in varying states of undress. Watching over them, grinning maniacally...

From the birth of acid house and the free party scene, through the era of super clubs and into the digital age, flyer design has...

Floating Bstrd is the illustration guise of Marko Vuleta-Djukanov, the Serbian artist who rose to prominence with work for the likes of Vladimir Ivkovic, Lena...

Simply huge...

Tomorrowland has locked its full line-up for 2017, with the festival running on two consecutive weekends from 21st to 23rd and 28th to 30th July...

Raw beats and sub-low rumbles mixed with sugary melodies are DJ Q's calling card.

Ten years ago, DJ Q released his first 12”, 'Love Like This'. The track was a bassline stomper, a grimy slab of sub-low and brutal...

We catch up with Ashley to learn about his DJ roots, new 'Yardism' solo project and more...

Ashley Beedle is a don. In a time when the dance world is riddled with superstar DJs, touting supersized egos, and bitching like babies at...

Morgan Geist returns to his original house music inspiration.

Best known as one half of nu disco/deep house duo Metro Area, Morgan Geist's new moniker — Storm Queen — is about to have a bona-fide chart hit with the previously released 'Look Right Through'. The track has had a long gestation period: produced with singer Damon C. Scott, who shot to prominence for being filmed singing on the NYC subway, it was signed to Defected at the end of last year and the MK dub became an anthem in Ibiza and at many festivals over the summer just gone.

London producer Swindle draws on assorted jazz, hip-hop, funk and dubstep influences in his great new album 'Long Live The Jazz'.

“I know what you mean, like on ‘Forest Funk’. I played that guitar! I just do what feels right. I mean, I’ve grown up around great music, especially jazz and funk and of course drum & bass, garage and everything else. I just like to play around. I’ll play with any instrument that I can get my hands on. A little bit of madness. I like to try and get my head working crazy, to make crazy music.”

Photo of Louie Vega wearing a black shirt and hat with a white blazer

After four-plus decades of DJing and with a incredible list of releases — much of it produced with longtime partner Kenny “Dope” Gonzalez as Masters At Work — the pioneering Louie Vega would seem to have little to prove. Yet he’s working harder than ever, with the same energy he had as a young kid coming up in the Bronx. In the run-up to his date at DJ Mag’s Miami Pool Party 2024 at the Sagamore Hotel on March 20th, Vega took some time out of his hectic schedule to talk about how he got to where he is today

Sitting in his Manhattan studio on a weekend evening, wide-brimmed hat on his head and, behind him, shelves crammed with thousands of records — most...

Welsh music feature

Since electronic music’s early days, Wales has produced incredible artists, but is often overlooked in its history. Here, Dave Jenkins celebrates the unsung heroes of the scene and meets a new generation putting their national identity at the forefront of their music

Croeso i Gymru, a land rich with music history. Home to the oldest festival of music and culture in Europe (the Eisteddfod, 1176), Marconi’s first...

Aluna George DJ Mag North America April 2022 cover

Aluna Francis’s life has been one of discovery — of uncovering truths about herself, about society, and about the fundamental ways in which the dance music industry fails people. The Wales-born, LA-based music maker, formerly of AlunaGeorge and now working as a solo artist, tells Bruce Tantum how she’s putting the knowledge she’s gained into practice via the new Noir Fever festival

"I perhaps could have been a bit more cautious,” Aluna Francis — sitting in her downtown LA home, sunglasses perched upon her braided blue coif...