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More than a club night and record label, Rupture has become a nexus point for the global jungle/drum & bass community, helping to galvanise a new generation while re-energising seasoned heads. Founders and life partners Mantra and Double O tell DJ Mag’s Ben Hindle about its evolution, and the importance of championing inclusivity and musical freedom

Amapiano has become a world-conquering genre since emerging in South Africa over a decade ago, with the sound mutating in recent years to solidify its place as an embedded dance music culture. Here, Shiba Melissa Mazaza asks: who are the South African artists carrying the torch for amapiano right now?
 

The release of Beastie Boys’ fourth album on 31st May 1994 signalled a new era not just for the New York trio, but for music at large. Fusing sampladelic hip-hop, punk and unruly rap rock with brazen stylistic experiments, it set a refreshingly eclectic tone after a decade of genre tribalism, and altered perceptions of the group on both sides of the Atlantic. Here, Ben Cardew learns how

Even as pandemic restrictions have lifted, and clubs and festivals have returned, the spectre of coronavirus lingers for many due to the debilitating impact of long Covid. Here, Dhruva Balram speaks to people in the dance music industry about how the effects of long Covid, and a lack of understanding around it, have impacted them, and asks whether it should be recognised as a disability

East Africa’s first music technology summit, Kilele, brought together artists and industry figures from Kenya and across Africa and Europe for a series of boundary-pushing performances, discussions and collaborations. Martin Guttridge-Hewitt reports on how the event and a bubbling local underground are ushering in a new era for Nairobi’s electronic music scene