Nomads. They roam new lands, find fresh pasture and feed their flock. Osunlade — an ordained Yoruba priest — has something of the shepherd about...
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Dillon Francis steps further into the spotlight with the release of his debut album, 'Money Sucks, Friends Rule'...
It’s the cusp of fall in Los Angeles, and one of the hottest days of the year. The air is thick and heavy; its weight...
DJ Mag delves into the history of dance culture’s Woodstock...
In 1992 there was a festival in the UK that changed the course of dance music history. A culmination of the acid house explosion, it...
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DJ Mag spoke to two of the scene’s icons about their takes on the scene in 2013, their manifold future plans, and the enduring spirit...
When DJ Mag enters a disused pub in south-east London’s Rotherhithe, we find LTJ Bukem has arrived early and is waiting patiently for us on a sofa in the pub’s old bar area. A true originator of drum & bass, Bukem, aka Danny Williamson, then throws himself into his part of the photo-shoot in a small, sparsely-lit room, which, much to everyone’s amusement, was once the gents’ toilets in the now-converted boozer.
We talk Boiler Room, Daft Punk and SW4 in this exclusive back-to-back interview between Tottenham’s DJ EZ and legendary US producer Todd Edwards...
Legends is a word that is bandied around so lazily these days that it often loses all meaning, but with Todd Edwards and DJ EZ, the cap well-and-truly fits.
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Producer of soul greats, maker of classic house records, ordained Yoruba priest and avid live streamer, Osunlade has lived a remarkable life so far. He tells Ria Hylton how remaining independent has been vital to his creativity and career
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Jungle pioneer M-Beat made some of the genre’s biggest chart hits, but disappeared from the industry in 1996. Having gone through hardships and been widely...
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In the early ‘90s, dubplates, exclusive early pressings of unreleased music, fuelled the buzz around DJs in the emergent jungle scene. In an excerpt from...
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Across South-East Asia, a new generation of rappers is emerging. Drawing on the explosion of US trap and contemporary hip-hop sonics, and creating new flows...
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In his first interview under the Trance Wax moniker, Ejeca tells us about the origin of the project, uniting young clubbers and older ravers, and...
Taking classics from trance’s golden age and recontextualising them for the modern dancefloor? In the wrong hands, this concept could spell danger: crass, overly nostalgic...
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Through its nurturing of new superstars like Aitch and other young local talent, Manchester’s NQ has become a veritable institution of modern UK rap, helping elevate regional artists across the UK. James Keith meets members of the crew during a recent takeover at the legendary Abbey Road Studios, and heads to NQ’s northern base to discover the secret to its success
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The release of Beastie Boys’ fourth album on 31st May 1994 signalled a new era not just for the New York trio, but for music at large. Fusing sampladelic hip-hop, punk and unruly rap rock with brazen stylistic experiments, it set a refreshingly eclectic tone after a decade of genre tribalism, and altered perceptions of the group on both sides of the Atlantic. Here, Ben Cardew learns how
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Delivering explosive, quick-witted lyricism over beats that blend kwaito, amapiano and gqom with grime, punk and pop, South Africa's Moonchild Sanelly has become a global sensation. Here, she speaks to Makua Adimora about freedom of expression and her new album, 'Phases'
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Soul II Soul helped give Black British music and UK club sounds a truly unique identity. Collective founder Jazzie B talks about their ground-breaking debut, ‘Fairplay’, and traces his journey from London soundsystem culture to global star with Ben Osborne
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Founded in 1991, Nervous Records was at the epicentre of New York’s house explosion. Three decades, and over 5,000 releases later, it’s still pumping out...
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The latest and greatest DJs and producers rising to the top this month. From lush liquid d&b and abstract electronics to feel-good house and low-key...