Depending on when you last checked it out, Ultra Miami is not what you think. Once the reserve of chart-topping dance stars, EDM bigwigs and...
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With summer's subterranean smash tune ‘Jack’ signed to a major and chart success beckoning, Ben Westbeech, aka Breach, tells us how he’s heading for the...
Pop music has always run from the sublime to the irredeemable. The charts have rotated from gold to grot since the dawn of the Hit Parade, and the model doesn’t look likely to change anytime soon. So whilst there are always dark periods when commercial radio is little more than a cemetery of tired ideas, dug up and forced to fandango one more time, every now and then a new generation of musicians kick down the door, reset the rules, and party ‘til the lights come on.
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We spotlight 10 sets at Ultra at the tail-end of Miami Music Week that you definitely cannot skip
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In the summer of 1989, DiY collective — one of the first house sound systems in the UK — emerged onto the rave scene. In this excerpt taken from founding member Harry Harrison's book, Dreaming in Yellow, he discusses DiY's role within that movement, and the importance of free parties during the '90s rave scene
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Encompassing parties, a record label and a beloved radio show, Errol and Alex Rita’s Touching Bass has created an open space to celebrate Black music in all its forms, from jazz to jungle and beyond. Alongside a woozy mix exploring the DNA of Touching Bass’ past, present and future by Sammseed, Ria Hylton documents the movement’s ethos and story so far
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The latest and greatest DJs and producers rising to top this month. From new wave drum & bass, breaks and techno to experimental pop and...
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Raves and Riots is an exhibition of Vinca Petersen’s work, currently showing at the Edel Assanti gallery in central London. Bringing together a collection of...
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Green Valley in Brazil experienced a double disaster last year. First came the COVID-19 pandemic, then the venue itself was destroyed in June by a...
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Leon Vynehall sculpts a mix of experimental sounds, smoky house and peak-time techno for the On Cue series, and speaks to Ray Philp about finding...
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DJ Mag’s tech editor, Mick Wilson, investigates Black and non-Black POC representation in the music tech sector, and what industry leaders are doing to address...
Music
As a show of solidarity to support the artists and labels impacted through the global pandemic, we are launching a weekly roundup of the most...
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Having experienced natural disasters and political uncertainties, a group of young Nepalese artists and organisers are looking to re-create an electronic music scene of their...
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Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...
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Andy C explains how he's always kept the faith with drum & bass...
“When you’re drum & bass, you really are — you get it, and there’s nothing else like it. You can’t get assimilated into 4/4...
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Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?