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Results for: DJ Mag Basing Sessions

Overmono's Ed and Tom photographed by Rollo Jackson 2

After years in the UK underground as solo artists, brothers Tom and Ed Russell, formerly known as Truss and Tessela, have made huge strides as a duo in recent years as Overmono. Lauren Martin learns how they’ve built a sound and A/V live show that taps into UK dance music legacies, all while staying true to themselves

When Tom and Ed Russell moved into their studio in 2018, they felt the weight of UK dance music history. Housed in the deep south-eastern...

She's built a rock-solid unit that's celebrating a decade of electronic music brilliance this year...

It’s the 1st May. ‘May Day’ public holiday in Berlin, traditionally the time when the city transforms from the grey, oppressive bleakness of its...

Sam Shepherd, aka Floating Points, is returning with a new album — ‘Crush’, out this month — and a vital live show that he’ll be debuting this autumn. Born out...

In late summer, the rain falls in great sheets, and DJ Mag dives under the cover of shop awnings in Shoreditch, East London. On a...

UK drill videos have played a crucial role in the sound's meteoric rise, with platforms like Mixtape Madness, Link Up TV, SBTV, and Pressplay Media...

A camera’s view taken from a drone rises above an London cityscape, revealing countless rows of suburban houses and greenery. Below, a ballied-up teenager starts...

The Bulgarian crowd favourite takes us through an in-depth behind the scenes of his live show, set-up and performance approach

For over ten years, KiNK has been one of dance music’s most captivating live performers. His energy on stage is matched by the driving techno...

Born in the UK in the early ‘90s, during a period of explosive creativity, the freeform breakbeats of jungle became the soundtrack to many producers’...

An avalanche of snare drums, sub-bass that pulverises your rib-cage, possessed divas wailing from the abyss; fragments of funk, shards of techno, dabs of dancehall...

UK label Champion Records is celebrating its 35th year with a series of remixes of classic releases. The label's best-known hit is Robin S' ‘Show...

It starts with a cymbal crash, a bumpy house beat and a prominent, punchy snare. There’s a gnarly, low synth stab that plays a simple...

In the U.S. music fans are eagerly awaiting the safe return of clubs and festivals, but there are risks to consider before going back to...

It’s been a heavy year — one many wish to shake off, preferably in an invigorating bath of strobe lights, lazers and amplified sound. Those...

Loyle Carner

Though never afraid to show vulnerability before, Loyle Carner opens himself up more than ever on new album ‘hugo’, shedding the image of UK hip-hop’s perfect ‘nice guy’ to explore his reconnection with his estranged father and his Black heritage, and what it means to become a dad himself

In the summer of 2014, as resurgent grime anthems like ‘German Whip’, ‘Take Time’ and ‘That’s Not Me’ soundtracked a new generation’s joyful block parties...

As a show of solidarity to support the artists and labels impacted through the global pandemic, we are launching a weekly roundup of the most...

The global pandemic of the novel coronavirus, COVID-19, has had a devastating impact on our scene, leading to the cancellation of countless club nights and...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

Photographer Stuart Linden Rhodes, known mononymously Linden, spent the ‘90s capturing the queer clubbing scene in the north of England on his camera. Now his...

Throughout the 1990s, Stuart Linden Rhodes was a teacher by day and a writer and photographer covering the north’s gay clubbing scene at night. In...

In a few short years, UK drill has changed significantly. After a small number of producers that pioneered the sound left indelible marks on its...

Depending on who you ask, UK drill has two birthdays — when drill came to the UK, and when UK drill began. The first was...

Avian accomplices Armand Van Helden and A-Trak are Duck Sauce — the fun-loving duo behind house mega-hit ‘Barbra Streisand’, as well as countless underground club smashes...

It’s hot in Miami as the Duck Tours vehicle leaves its Lincoln Road ‘duck stop’ with a smattering of tourists onboard. “For your safety, please...

Vintage Culture press shot in a yellow jacket

Vintage Culture has come a long way from a small town in Brazil to playing stadiums, topping dance charts and partying with football royalty. After suffering near-burnout from constant touring, he’s recharged and full of vitality, with a deeper sound he loves with all his heart, hundreds of tunes ready to go, Ibiza and Las Vegas residencies scheduled, and a set lined up at DJ Mag's Miami Pool Party

Lukas Ruiz grew up in Mundo Novo, a tiny municipality with under 20,000 inhabitants, right on Brazil’s border with Paraguay. His mum had always told...