“You might go to the same restaurant many times, but do you always order the same dish?” grins Iason Chronis, the artist most commonly known...
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Chicago's local authorities are supporting the city's first ever house music festival: DJmag.com interviewed the festival's organisers.
Chicago will host its first house music festival (Move!) in July
Eli and Fur: a dynamic duo dedicated to making deeply melodic vocal house cuts...
With their eyes fixed firmly on the prize, Jennifer and Eliza better known as Eli and Fur have been spending as much time as they...
Tech
Detroit Swindle's live show has become renowned as one of the silkiest and funkiest electronic music live shows on the circuit. Growing from a simple...
Milan's mischievous crunk house tag team Crookers are primed to be the next dance music superstars. Prior to a momentous gig at London's top dance...
For time immemorial remixes have been the backbone of dance music. A great remix extends the life of a song, makes an average track into...
Features
When Mason first released ‘Exceeder’ in 2005 it was a B-side. But its fuzzy bassline and gated trancey notes garnered a legion of fans, and it became a key building block in the pre-EDM electro-house scene. 17 years later, he shares its story
Cover Features
Utrecht's CARISTA is on a quest to bring club crowds together with her irresistible, energising DJ sets. Ria Hylton meets her to find out how her United Identities label is elevating new talent in the Netherlands, and how she’s branching into new areas of music.
Tech
Features
If hard techno is energetic work, then Sara Landry is a divine healer. Driven by an innate desire to connect with and unite the crowd, the California-born DJ is often credited as the high priestess of the breakneck sound, but behind her signature cloak of organised chaos lies an unshakable force for good. We catch up with the international star to learn more about her spellbinding sets, and why the masses are craving a fierce new edge
Cover Features
What could the ideal safe space club look and feel like? Michelle Lhooq imagines a possible future for nightclubs where everyone is free to dance...
Features
In the UK and elsewhere, there’s now a pathway towards a staggered reopening of clubs and festivals. But how have venues coped in the past...
Features
An unanticipated accident turned one figure skater’s dreams upside down, and opened the door to a bass-fueled future the artist now known as Whipped Cream never...
Features
We spoke to classic artists and newcomers about the global community and lasting joys of trance music
Since the early ’90s, when pioneers like Ferry Corsten, Paul Van Dyk, and Jam & Spoon crafted some of the earliest and best-loved trance records...
Arriving in Miami means a lot to our cover star Eric Prydz – for more than one reason. The man who effortlessly makes underground house...
Going to Miami is a very big deal for Eric Prydz. Two years ago, the last time he was there, his massive track 'Pjanoo' became...
Features
Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future
Features
‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career