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Video game live streaming platform Twitch has become an increasingly valuable way for electronic musicians to connect with their fans. Cherie Hu investigates the synergy...

As the global live streaming market for games generates an estimated $5bn a year, several tech corporations are fi ghting to claim their share of...

How the global boom of African music is resonating with electronic artists in the diaspora

It’s an exciting time to be both a new and old fan of African music, but how does it feel for African artists raised and working in the diaspora? As producers and consumers, these artists have a unique vantage point on this cultural shift. Jessica Kariisa speaks to Nazar, Hagan, Juba and Chief Boima and asks: what does music from “back home” mean today?

In the early 2000s, there was a small, unassuming stall on the second floor balcony of Kampala’s Bugolobi market. Stocked with computers, scanners and other...

Amon Tobin's evolved "Two Fingers" project

Amon Tobin started out experimenting with a double cassette player and ended up piloting the world's most mind-blowing live show.

I. JORDAN has stormed the electronic music world in the last couple of years with their energising productions and DJ mixes. Their 2020 breakthrough EP...

Note 23rd August 2023: The headline and text of this feature has been updated to reflect I. JORDAN's new name. I. JORDAN is always moving...

Stanton Warriors are the UK breaks and bass duo who've fought fiercely to push their genre-blending sound for more than two decades. And with a...

Dominic Butler and Mark Yardley famously took the name Stanton Warriors from a manhole cover on a Bristol street in the mid ’90s. An apt...

A copy of Ears To The Ground on a light blue background

In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings

At its most cutting edge, dance music is a laboratory of sonic experimentation. Field recordings, foley and samples from the real world have long been...

 Already a staple sound of Ibiza at DC-10 and Parisian clubs like Concrete and Rex, French house is now truly going global...

It’s August 2013 and the trio of Dan Ghenacia, Dyed Soundorom and Shonky are coming to the close of an eight-hour showcase of their trademark...

Some high-profile DJs have been criticised for playing big, crowded legal shows — dubbed ‘Plague Raves’ — in Europe during the COVID-19 crisis. Some have...

As society has been tentatively emerging from various forms of COVID-19 lockdown over the last few months, each of us has been faced with a...

Tony De Vit DJing. He's wearing an orange sweater with his left harm held high over his head, with a big smile on his face.

Flawless DJ, frequent hitmaker, dedicated mentor: Tony De Vit was a true hero of UK dance music. The most high-profile resident at hedonistic queer club Trade, he helped create the hard house sound, and was renowned not only for his impeccable mixing, but his compassion and care for others. Ahead of a new documentary, and with hard house at large once more, Stewart Who? reflects on his legacy with those he was close to, and those he influenced

In case you hadn’t noticed, hard house is back. Though for some, like the ill behaviour, it never went away. A new generation of DJs...

In an exclusive adaptation from his new book on the ever-so-slightly eccentric Godfather Of Funk, KRIS NEEDS looks at George Clinton's influence on the electronic...

George Clinton stands alongside James Brown, Jimi Hendrix and Sly Stone as among the most visionary and influential black music pioneers to emerge from the...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

After intensive, early lockdowns, China's events industry is gradually returning to pre-pandemic levels, with safety measures in place. Bruce Tantum speaks to a selection of DJs...

In mid-August of last year, scenes from an electronic music festival at a water-park in Wuhan, China were beaming across the internet. The photos and...

Soundsystem artwork 1

Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future 

It’s the Thursday before Notting Hill Carnival and Linett Kamala, board director of Europe’s biggest street party, is weaving through the streets of Kilburn. Her...

Loyle Carner

Though never afraid to show vulnerability before, Loyle Carner opens himself up more than ever on new album ‘hugo’, shedding the image of UK hip-hop’s perfect ‘nice guy’ to explore his reconnection with his estranged father and his Black heritage, and what it means to become a dad himself

In the summer of 2014, as resurgent grime anthems like ‘German Whip’, ‘Take Time’ and ‘That’s Not Me’ soundtracked a new generation’s joyful block parties...

Congo Natty

On his upcoming 25-track opus ‘Ancestorz’ — which he describes as his life's work — long-serving jungle soldier Congo Natty unites many voices from across the diaspora, joining dots through the history of Black music and celebrating the new jungle generation. In a series of in-depth interviews for DJ Mag, he talks to Dave Jenkins about love, revolution, unity, and reclaiming his place in the history books

“This isn’t an interview, brother, this is an outerview!” Congo Natty declares. He draws on his spliff, holding DJ Mag’s gaze with intensity. Even through...