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Tamsin Embleton was an event booker, promoter and artist manager for ten years before training as a psychotherapist. She's a founding member of the Music...

You’ve been attempting to take a step away from drugs and alcohol, but you have a run of shows coming up where you know you’ll...

California's rave history is rooted in outdoor free parties that celebrated psychedelic music and and unique environments. DJ Mag's Matt Anniss speaks to the Bay...

Every summer since 2005, Claude VonStroke’s DirtyBird crew has hosted a “BBQ” party in one of San Francisco’s many harbour–side parks. They’re not alone, either...

Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...

“I miss doing house stuff,” says Inês Borges Coutinho, laughing, a little frustrated. She’s not talking about music – thankfully, there’s lots of that. She...

Tattooist-turned-rapper TRAPY speaks to Amy Fielding about his favourite Marvel characters, obscure samples, and his reason for anonymity

Framed by white curtains and stood against the red brick tower blocks of the city, West-London born, British-Serbian artist TRAPY looks down from a window...

Inside the UK Afro house renaissance

The Afro house sound is an ever-growing presence in UK dance music, with new labels, club-nights and a dedicated radio station springing up. Alongside a mix from Mr Silk, Ria Hylton explores the sound’s history, and speaks to some of the scene’s key players about forging strong connections with their growing audiences, and their aim to nurture a unique UK Afro house identity

Afro house is steeped in the percussive materials of South Africa’s townships. For decades, its polyrhythms played out on traditional African instruments — bongos, congas...

Detroit's DJ Minx has been championing the electronic sounds of her hometown since day one, but has flown under the radar for much of her...

If anybody’s paid their dues, it’s Jennifer Witcher, aka DJ Minx, Detroit’s “First Lady of Wax”. She’s been here all along, representing the future sounds...

After almost 30 years — minus a couple of splits — operating as Orbital, Paul and Phil Hartnoll are back with their first studio album...

Orbital are back. Hooray! One of the most important electronic bands of the last 30 years have split a couple of times over the years...

The Euphoria cover logo in green neon on a black background with green lasers

With the release of its first edition – 'For The Mind, Body and Soul' – via Telstar Records in early 1999, the ‘Euphoria’ mix compilation series quickly became one of the most popular and prolific of its kind, launching the big-room oriented trance, progressive and hard house sounds of clubland into the CD drives of thousands. 25 years later, Harold Heath looks back on its legacy, and on how its balance of clever commercial marketing and authentic live energy enshrined ‘Euphoria’ in UK dance music history

It’s 1999, and across the UK, countless car stereos and home systems are pumping out the planet-sized synth riffs of big-room trance. Tracks by Paul...

Photo of the four members of Girls Don’t Sync in the booth together

Girls Don’t Sync are booting down barriers in dance music with their unrivalled energy and community-building ethos. Right off the back of their massive sold-out show at KOKO in London, and ahead of their sold-out headline show at The Warehouse Project in Manchester, they chat to Sophie Walker about creating a welcoming dancefloor, keeping things fresh, and inspiring others to follow their dreams.

Girls Don’t Sync have evolved at warp-speed over the past two years, compelled by a grounding ambition to embody the change they want to see...

Collage of photos taken by Bill Bernstein

Bill Bernstein dedicated three years of his life to capturing the essence of the ‘70s New York disco scene. Here, Simon Doherty talks to him about some of his most iconic photographs, including images of Studio 54, Larry Levan, Odyssey Disco Club Dancefloor — made famous by Saturday Night Fever in 1977 — and more

The year was 1977. The disco scene was peaking, bringing with it unprecedented levels of euphoria. A specific set of sociological conditions (post-Stonewall riot, post-onset...

Founded in 1991, Nervous Records was at the epicentre of New York’s house explosion. Three decades, and over 5,000 releases later, it’s still pumping out...

You can accomplish a lot in three decades, and Nervous Records, the pioneering New York label that’s marking 30 years in the dance music business...

It wasn’t their song and they didn’t play any instruments, but Saint Etienne’s Balearic classic ‘Only Love Can Break Your Heart’ caught the tailwind of...

In a period when the divide between the UK’s club scene and indie kids was as wide as it was bitter, Saint Etienne managed to...

Manufacturing delays and rising costs are straining small, independent vinyl labels. Paired with environmental concerns and a reassessment of what physical releases can entail, the...

The word “shitshow” comes up a lot when you talk to independent label owners about producing vinyl. Emily Moxon, managing director at Brownswood, says that...

Apple's new M1 chip has promised a lot with some eyebrow-raising early performance reviews. But how does it fare for the DJ / producer? DJ...

Last year, Apple announced they were phasing out Intel chips in their computers, in favour of their own M1 processing chips, which the tech giant...

Denver-based Illenium is the bass music star that sells out stadiums, but before he made music, he struggled with addiction. Around the release of his...

“The albums are a trilogy,” says Illenium. “That was my idea, which makes me wonder what I’m going to do next, but I’m not worrying...