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A soulful house classic, Kings Of Tomorrow’s ‘Finally’ appealed across the board thanks to its universal lyric and hopeful message. Kristan J Caryl talks to vocalist Julie McKnight, co-producer Jay Sealee, Defected’s Simon Dunmore and Bushwacka about its evergreen appeal

The latest and greatest DJs and producers rising to the top this month. From UK rap fusions and politically charged electronic experiments to lush vocal house and colourful bass, here’s here's March 2022's list of upcoming talent you should be keeping track of

Spiral Tribe were ‘90s Britain’s hardest hardcore techno crew –  a travelling party troupe of anti-authoritarian acid-adventurers, and a scourge of the establishment. With co-founder Mark Harrison in the midst of writing a book on their story, and PRSPCT Recordings recently releasing a collection of classic cuts from live Tribe duo R-Zac, Harold Heath dives into their history, legacy and vow to 'Never Stop'

Released in 2002, a dream collaboration between UK house heroes X-Press 2 and Talking Heads' David Byrne, ‘Lazy’ lit up clubs and the pop charts alike. Here, Dave Jenkins talks to the group’s Ashley Beedle, Rocky and Diesel about how the track transcended generations and genres to become a timeless hit

British-Ghanaian MC ShaSimone has had a whirlwind two years, featuring on a number one album, dropping her debut EP, and becoming a regular face on GRM Daily. She speaks to Rahel Aklilu about being impulsive, the influence of East London on her sound, and working with Mercury Prize-winning rapper Dave

A stalwart of the UK’s dance music community for over 30 years, DJ Billy Nasty was a pioneer of '90s progressive house before launching his techno and electro labels, Tortured and Electrix. A true vinyl devotee, he now runs the Vinyl Curtain record shop in Brighton. Harold Heath meets him in his home town to talk mix CDs, underground dance music history, running labels and the enduring importance of vinyl DJing

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy