“I always describe myself as ‘Snow White turns 21 and then the seven dwarfs become her strippers’,” Moonchild Sanelly says matter-of-factly, when speaking to DJ...
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The beckoning stars of 2016
From soot-soaked techno to day-glo grime — jackin' house grooves to colourful drum & bass jams — the future is looking bright for dance music...
The unmissable parties that you need on your radar!
It’s back. America's most important electronic music gathering is returning to South Beach in Miami. The Winter Music Conference 2013 (and its wider nomenclature Miami Music Week) will be host to the industry's hot shots — the DJs, producers, promoters and label owners pulling the strings of this international emporium we call dance music — their arms (and minds) wide open to another onslaught of Miami madness.
Delivering explosive, quick-witted lyricism over beats that blend kwaito, amapiano and gqom with grime, punk and pop, South Africa's Moonchild Sanelly has become a global sensation. Here, she speaks to Makua Adimora about freedom of expression and her new album, 'Phases'
Even as pandemic restrictions have lifted, and clubs and festivals have returned, the spectre of coronavirus lingers for many due to the debilitating impact of long Covid. Here, Dhruva Balram speaks to people in the dance music industry about how the effects of long Covid, and a lack of understanding around it, have impacted them, and asks whether it should be recognised as a disability
In the '90s, there was nowhere to party like Ibiza , and there was nowhere wilder in Ibiza than Manumission. The hedonistic, sex-fueled party took place in some of The White Isle's most famous clubs, as well as its own Motel venue, with punters and DJs alike frequently spending days on end revelling in its debauched atmosphere. A new book written by its co-founder Claire Davies captures Manumission's ecstatic spirit. Here, Simon Doherty speaks to her about some of her favourite images from that time
The latest and greatest DJs and producers rising to the top this month. From UK rap fusions and politically charged electronic experiments to lush vocal house and colourful bass, here’s here's March 2022's list of upcoming talent you should be keeping track of
With clubs and festivals back in full swing in the UK, DJ Mag speaks to a range of club-goers, from DJs and bar staff to...
Slowly but surely, dance music in northern England is rebuilding, and the past year has encouraged some promoters to rethink how they can make clubs...
Apple's new M1 chip has promised a lot with some eyebrow-raising early performance reviews. But how does it fare for the DJ / producer? DJ...
With ‘A New Dawn’, AceMo and MoMa Ready — working together under the AceMoMa banner — aim to alter the world’s perception of American club...
2019’s best compilations celebrated innovative styles and fusions from across the globe, as well as some of underground dance music’s formative sounds. Below, you'll find...
Berlin-based DJ, producer, and label boss Bloody Mary started her wax-led imprint long before the vinyl revival, and 10 years later it’s still going strong...
Simian Mobile Disco’s Jas Shaw deals in machine-driven techno delicacies, as his recent ‘Exquisite Cops’ solo album demonstrates. But having swapped the urban surroundings of...
Berlin’s techno superstar Paul Kalkbrenner is back with a new LP that pays tribute to the city’s halcyon early rave days. We find out more...
Berlin is a city that’s always maintained an uneasy relationship with celebrity culture. It was here that David Bowie went to get away from the...
Daniel Avery has made the defining album of his career to date with ‘Ultra Truth’. Incorporating everything from techno and ambient to jungle drum & bass, it features contributions from SHERELLE, HAAi and Kelly Lee Owens, among others, and is simultaneously raw and beautiful. Anna Wall meets him in a North London café to talk about collaboration, staying true to himself, and the enduring influence of Andrew Weatherall