Every genre has a resident ‘“nice guy”, but it’s doubtful that they come nicer than Todd Edwards.Todd has been an effervescent presence in dance music...
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Todd Edwards is a house and garage veteran whose signature productions have lit up dancefloors for decades, and whose collaborations with Daft Punk sit in...
Features
Pirate Studios has given thousands of young producers and musicians affordable access to recording and DJ studios, encouraging collaborations, community and creativity. As an uncertain...
Features
Keith McIvor and Jonnie Wilkes, aka Optimo (Espacio), have helped define Glasgow’s musical landscape for over two decades with their eclectic and dynamic dancefloor selections. As 2022 marks Optimo’s milestone 25th anniversary, a tour of their home city reveals the ethos behind their inimitable sound
Features
Tokyo’s Shinichiro Yokota is one of the great unsung heroes of house music, though thanks to a particular YouTube video and a new Sound Of...
Features
Ireland’s venues and event promoters have struggled under archaic legislation for years, but thanks to the work of the Give Us The Night campaign, it...
Cover Features
Dance music has a mental health problem. Sirin Kale speaks to artists such as Luciano, Courtesy and Marie Davidson, as well as some PRs and...
Features
In early 2009, Eamon Harkin and Justin Carter launched Mister Saturday Night. The party formed the roots of what would eventually become the beloved nightspot Nowadays, a “by us, for us” club that’s become a community hub for NYC’s nightlifers. Following the release of a sprawling box-set to mark the party’s 15th anniversary, and alongside a mix recorded live from the club, Harkin, Carter and a few of the compilation’s featured artists fill us in on what makes Mister Saturday Night so special
DJmag's Jonnie Parker catches up with James Zabiela before his One+One set with Nick Fanciulli.
Listen to the interview here AUDIO
DJ Mag.
Yes yes, it's myself Jonnie Parker, we're down here at the DJ Mag Top 100 DJs party...
Cover Features
The original DJ cover star, Sasha was the face of ’90s clubland success and excess. His new Refracted:LIVE show redefines his special talent, delivering a...
It’s a cold, rainy night in 2013 at a spit-and-sawdust East London venue, the exact location of which is lost in the mists of time...
Cover Features
London-based DJ, producer and live artist TSHA has risen rapidly in the scene, and is receiving her flowers with grace. But it hasn't always been easy. As she prepares to release her stunning debut LP, 'Capricorn Sun', on Ninja Tune, she speaks to Amy Fielding about overcoming online trolls, astrology, the art of DJing and more
We visit Norman Cook to get an insight on just why he's so popular in Brazil
Norman Cook welcomes the DJ Mag crew into his house in Brighton on the south coast of England, then nips upstairs to change into his...
Features
DJ Mag spends some time with the Brazilian DJ sensation while he’s over in London for a show at Ministry Of Sound, and learns about his journey from hardships to huge success — and how being in a plane crash changed his perspective on life for the better
Features
Progressive house champion Cristoph shows us round his Newcastle haunts, and tells us how his friends and family, and the patronage of Eric Prydz, have...
Features
Caught between the demands of being an internationally-renowned performer and his desire for a quiet life, Australian producer Flume found balance upon returning to his homeland. Amongst nature, and with a restored sense of wellbeing, he completed his most ambitious album to date, 'Palaces'. Megan Venzin learns its story
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today