‘Ill Communication’ wasn’t the biggest Beastie Boys album; that medal goes to the multi-million selling ‘Licensed to Ill’. Nor was it the New York trio’s...
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Tomorrowland has locked its full line-up for 2017, with the festival running on two consecutive weekends from 21st to 23rd and 28th to 30th July...
After a summer in Ibiza and with a gig for 25 Years of DJ Mag in Birmingham to look forward to, NYC’s Martinez Brothers have...
New York’s finest, The Martinez Brothers, Steve and Chris, have spent their summers being based in Ibiza for the past six years or so. They’ve made...
After a close encounter in a techno-themed Death Star, Richard Norris and Martin Dubka’s project Circle Sky was born...
WORDS: Declan McGlynn
PICS: Richard Stow
Duos are nothing new to Richard Norris. As one half of the hugely successful ’90s act The Grid, he...
Crazy P are more than just a band: they're a phenomenon, a live unit of astonishing charisma, an act that unite club DJs, pop fans...
“Yes, absolutely, every single time!” Crazy P’s front woman Danielle Moore croons down the phone line to DJ Mag. “I still get nervous onstage...
After a trip to South Africa, an engagement with politics and a need to explore new musical avenues, these Bears have teeth.
“If someone said to you ‘Jesus is drinking in a pub in Elephant and Castle’ you’d go and have a look wouldn’t you?” Well, bearded...
We catch up with Ashley to learn about his DJ roots, new 'Yardism' solo project and more...
Ashley Beedle is a don. In a time when the dance world is riddled with superstar DJs, touting supersized egos, and bitching like babies at...
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The release of Beastie Boys’ fourth album on 31st May 1994 signalled a new era not just for the New York trio, but for music at large. Fusing sampladelic hip-hop, punk and unruly rap rock with brazen stylistic experiments, it set a refreshingly eclectic tone after a decade of genre tribalism, and altered perceptions of the group on both sides of the Atlantic. Here, Ben Cardew learns how
Features
Over the past two decades, West London DJ and producer T.Williams has worn many hats, from his roots in grime and jungle through to spells in garage and soulful melodic house. His recently released debut album, ‘Raves Of Future Past’, finds him freed from all limitations, and pays tribute to this wide-ranging career. Here, Ben Murphy speaks to him about writing songs versus bangers, the freedom of expression of the early 2000s era, and how he made his classic track ‘Heartbeat’ with Terri Walker
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2022 marks the 30th anniversary of the biggest and the most infamous illegal rave that ever took place: Castlemorton – a week-long, 20,000-person party deemed so anarchistic that it shook Middle England to its core. Here, photographer Alan Lodge tells his story of capturing a week changed UK dance music forever
Paranoid London are on a mission to bring back the rawness of old house, with their skeletal acid tracks and Chicago-influenced beats. We head to...
2019 was a year in which deeply personal and boldly political music ruled the long-player format. Below, you'll find the 50 albums that defined the...
Features
Inspired by the sci-fi movies of their youth, the new concert film IRIS: A Space Opera is the latest ambitious venture by Justice. DJ Mag...
DJ Mag USA gets the inside scoop on WMC from your fave DJs...
The year is 2017. The month is March. This means one thing: We are going to Miami where the heat is on all night on...
TWO DAYS OF EPIC PARTYING
I had to pinch myself twice just to be certain it wasn’t a dream. See, if you love dance music the way I love dance...
She's built a rock-solid unit that's celebrating a decade of electronic music brilliance this year...
It’s the 1st May. ‘May Day’ public holiday in Berlin, traditionally the time when the city transforms from the grey, oppressive bleakness of its...