Ollie Clarke is out delivering Amazon parcels around Bristol in spring 2020. He’s one of many new workers that Royal Mail hired during the beginning...
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Features
As the UK looks toward the end of lockdown and the reopening of clubs and festivals, Giulia Bottaro speaks to nightlife workers from different parts...
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Despite being largely ignored by the west, Moscow has had a rich bass scene for over a decade. After reaching an impasse in 2015 as...
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An hour of gritty disco, rusted house and shrouded breaks from The Cyclist. We catch up with the Tape Throb innovator to talk punk, lo-fi...
Nothing sums up the work of The Cyclist quite like the name of his most recent EP. ‘Boards of Chicago’ was released via Italian label...
Features
DJ Mag's latest monthly mix series puts the focus on the labels we love; outlets that are championing new artists, dropping key releases and driving...
Since 2007, Huntleys + Palmers has stood at the helm of Glasgow’s electronic underground. Started by Andrew Thomson as a small party series, H +...
DJ Mag meets Róisín Murphy on the brink of her new LP, 'Hairless Toys'...
Róisín Murphy is the ultimate career woman. From teenage runaway to cult sensation, the mother of two has managed to truly have it all, thanks to...
The parties not to miss at ADE 2014
Canals and weed is all you need. Throw in a jammed schedule of the sickest parties — excellently programmed and expertly produced — and you've...
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Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future
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The secret to John Summit's success lies in his work-hard, play-hard mentality, which has led to the former Certified Public Accountant to become one of the most in-demand DJs around. Ahead of his set at DJ Mag's Miami Pool Party this month, Megan Venzin hears his story so far
Cover Features
Before COVID turned the world upside down, Avalon Emerson was so busy DJing, touring, producing and remixing, she was close to burnout — but the...
Cover Features
Conducta is helping to spearhead the new wave of UK garage. His on-point productions, genre-traversing DJ sets and Kiwi Rekords label have made him a...
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Dance music has a mental health problem. Sirin Kale speaks to artists such as Luciano, Courtesy and Marie Davidson, as well as some PRs and...
Features
Over the past two decades, West London DJ and producer T.Williams has worn many hats, from his roots in grime and jungle through to spells in garage and soulful melodic house. His recently released debut album, ‘Raves Of Future Past’, finds him freed from all limitations, and pays tribute to this wide-ranging career. Here, Ben Murphy speaks to him about writing songs versus bangers, the freedom of expression of the early 2000s era, and how he made his classic track ‘Heartbeat’ with Terri Walker
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Delivering explosive, quick-witted lyricism over beats that blend kwaito, amapiano and gqom with grime, punk and pop, South Africa's Moonchild Sanelly has become a global sensation. Here, she speaks to Makua Adimora about freedom of expression and her new album, 'Phases'
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Released in 1997, μ-Ziq’s ‘Lunatic Harness’ mixed jungle and out-there electronica in a way few had heard before. Here, Mike Paradinas talks to Ben Murphy about the influences that went into creating this genre-meshing gem, and his new album 'Magic Pony Ride'
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Even as pandemic restrictions have lifted, and clubs and festivals have returned, the spectre of coronavirus lingers for many due to the debilitating impact of long Covid. Here, Dhruva Balram speaks to people in the dance music industry about how the effects of long Covid, and a lack of understanding around it, have impacted them, and asks whether it should be recognised as a disability