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Results for: Yerner

We drill down into why the London-based bros are such a hit...

Not only are brothers Danny and Kieran Clancy the minds behind London's hugely respected Krankbrother parties, a string of top-notch house and techno releases and...

Critically acclaimed and wholly unstoppable, musical genius BT doesn’t break boundaries. For him, they don’t exist.

Everyone told BT it was impossible. Record labels and agents, promoters and peers said his vision for ‘Electronic Opus’, a unique mixture of live electronic...

Techno’s vanguard opens up about his legacy as it comes full circle in the summer of 2015

Words: SARAH POLONSKY  Portrait Pic: Courtesy of Cocoon Live Pics: ANDREW RAUNER 

This man could be a double secret agent. It is...

DJ Mag talk tunes, gigs and birthdays with the d&b duo.

2013 marks a special year for the London drum & bass and dubstep duo Chase & Status. Celebrating their 10th anniversary, the production couple of Saul Milton (Chase) and Will Kennard (Status) have delivered a sound that dips into breaks, hip-hop, dubstep, d&b and jungle since their first release ‘Like This’ on Vehicle Records in 2003.

From their Berlin creative hub, production duo Âme — who made the evergreen house classic ‘Rej’ — talk about their record shop, distribution arm and...

Kristian Beyer and Frank Wiedemann, better known as Âme (that's pronounced 'arm', for the record, not 'ahh-may') often refer to their relationship as being like...

Photo of the four members of Girls Don’t Sync in the booth together

Girls Don’t Sync are booting down barriers in dance music with their unrivalled energy and community-building ethos. Right off the back of their massive sold-out show at KOKO in London, and ahead of their sold-out headline show at The Warehouse Project in Manchester, they chat to Sophie Walker about creating a welcoming dancefloor, keeping things fresh, and inspiring others to follow their dreams.

Girls Don’t Sync have evolved at warp-speed over the past two years, compelled by a grounding ambition to embody the change they want to see...

Photo of T.williams posing in a white t-shirt and blue baseball cap

Over the past two decades, West London DJ and producer T.Williams has worn many hats, from his roots in grime and jungle through to spells in garage and soulful melodic house. His recently released debut album, ‘Raves Of Future Past’, finds him freed from all limitations, and pays tribute to this wide-ranging career. Here, Ben Murphy speaks to him about writing songs versus bangers, the freedom of expression of the early 2000s era, and how he made his classic track ‘Heartbeat’ with Terri Walker

“That cross-section between a banger instrumental and a nicely crafted song was always something that I really enjoyed,” says T.Williams, reflecting on the kind of...

MS in a pool float

Delivering explosive, quick-witted lyricism over beats that blend kwaito, amapiano and gqom with grime, punk and pop, South Africa's Moonchild Sanelly has become a global sensation. Here, she speaks to Makua Adimora about freedom of expression and her new album, 'Phases'

“I always describe myself as ‘Snow White turns 21 and then the seven dwarfs become her strippers’,” Moonchild Sanelly says matter-of-factly, when speaking to DJ...

Castlemorton 1992: photographing the Illegal rave that changed UK dance music forever

2022 marks the 30th anniversary of the biggest and the most infamous illegal rave that ever took place: Castlemorton – a week-long, 20,000-person party deemed so anarchistic that it shook Middle England to its core. Here, photographer Alan Lodge tells his story of capturing a week changed UK dance music forever

It started on a particularly sunny bank holiday weekend, on the 22nd May 1992. A ramshackle convoy of vehicles, which served as the rag-tag homes...

It wasn’t their song and they didn’t play any instruments, but Saint Etienne’s Balearic classic ‘Only Love Can Break Your Heart’ caught the tailwind of...

In a period when the divide between the UK’s club scene and indie kids was as wide as it was bitter, Saint Etienne managed to...

Manufacturing delays and rising costs are straining small, independent vinyl labels. Paired with environmental concerns and a reassessment of what physical releases can entail, the...

The word “shitshow” comes up a lot when you talk to independent label owners about producing vinyl. Emily Moxon, managing director at Brownswood, says that...

Apple's new M1 chip has promised a lot with some eyebrow-raising early performance reviews. But how does it fare for the DJ / producer? DJ...

Last year, Apple announced they were phasing out Intel chips in their computers, in favour of their own M1 processing chips, which the tech giant...

Digital Holdings is the Bermondsey studios that's had artists including Headie One, Harlem Spartans, Zone 2, Carns Hill and SL all record music within its...

A street lamp flickers on an industrial estate. Two men exchange fist bumps outside a garage door. Inside, an impressive film studio is being prepped...

Simian Mobile Disco’s Jas Shaw deals in machine-driven techno delicacies, as his recent ‘Exquisite Cops’ solo album demonstrates. But having swapped the urban surroundings of...

We’re driving through Faversham, an unassuming Kent market town, with Jas Shaw, who’s telling us about the first visit he and his partner Jess made...

Julia Toppin selects 10 essential documentaries that paint a portrait of 30 years of jungle drum & bass, charting the stories of its origins to...

When compared to other UK dance music genres, the documentary coverage of jungle drum & bass is remarkably thin on the ground, largely limited to...