This feature was originally published in 2019 for the 25th anniversary of ‘Dubnobasswithmyheadman’ In 1994, live performances by UK dance acts were big news. Electronic...
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The mysterious new products appeared on their website...
Behringer have ‘leaked’ what looks like a wide selection of new synths. It was rumoured back in the summer that the German giants were working...
Cornwall's annual party on the shore returns in two weeks, taking over Fistral Beach from Wednesday 8th to Sunday 12th August, and we can almost...
This year's Boardmasters looks set to be the finest yet, a celebration of all things surf, sun (assuming the UK heatwave continues) and serious tunes...
Someday they might give it to us...
Todd Edwards and Daft Punk have an unreleased vocal album, according to an interview on Jax Jones’ Beats 1 Apple Music show.
Award-grabbing studio don...
Out now on OWSLA...
JOYRYDE has released the official video for ‘I WARE HOUSE’ out now on Skrillex’s OWSLA imprint.
The track itself is riddled with synths and filled...
The popular collection of soft synths hits version 7...
Arturia have announced V Collection version seven, the next incarnation of their popular collection of soft synths. Version 7 adds the classic EMS Synthi synth...
Josh Wink has been dominating clubs and festivals as a DJ, producer, label-runner and remixer for almost 30 years. Alongside long-term friend and fellow Philadelphian...
Released on 24th January 1994, Underworld’s third album (and first with DJ Darren Emerson) blended outlandish art-rock ideas with singular takes on house, techno and ambient music. Here, Ben Murphy reflects on its genre-fusing legacy
The ClubTogether map aims to chart the historical progression of dance music...
A new project collecting memories from clubs, rave and various parties over the last few decades has been launched.
ClubTogether is gathering people's memories to...
To coincide with his new album release, Omid 16B picks out ten tracks key to his musical development over the years
From more inclusive dancefloors to world-confronting techno festivals, DJ Mag’s Anna Cafolla speaks to the collectives, crews, and scene stalwarts pushing Poland as a radical clubber’s...
The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy
Orbital’s eponymous debut album, also known as The Green Album, was released via FFRR in 1991. As part of our Solid Gold series, Ben...
Last month, 16,000 ravers attended Belfast's AVA Festival at its new home on the Titanic Slipways. DJ Mag traveled to AVA to discover how the event is creating a sense of unity, community and a second wave of rave in the city
One of the first legal UK mega-raves to bring dance music culture to the masses was Fantazia. With its emphasis on spending big production budgets...
This evergreen breakbeat hardcore missive influenced the likes of The Prodigy and the whole of the early UK rave scene. Ben Murphy charts its story...
“I saw that record go from street level and get bigger and bigger, and there was no video for it, no promotion, nothing,” says Renegade Soundwave’s Danny...