For Berlin-based Kenyan artist KMRU, the art of listening is a crucial facet of music-making. “I feel like the things around us have something to...
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Martin Buttrich is on fiery form.
Some might imagine that behind every great producer is another great producer. And in fact you could easily say that of Martin Buttrich.
He has...
Bicep on their production process and much more
Since starting their infamous blog, Feel My Bicep, Andy Ferguson and Matt McBriar, aka Bicep, have become dancefloor heavyweights known for their impressive record collections...
Iconic London club could be shut down
Ministry Of Sound, one of the best known clubs in the world, faces closure if a property development is approved by London's Mayor — Boris...
Reckon yourself as a bit of deck demon or just fancy checking some ill skills? Get on...
In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, KMRU spotlights blissful synths, tactile guitars, streetscape sound design, indie rock and more
In this regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp...
The Chemical Brothers' second album, 1997's 'Dig Your Own Hole', radiated ambition and adventure, and was their first to hit No.1 in the UK charts thanks to a string of landmark singles. Here, Ben Cardew explores how 'Dig Your Own Hole' altered the Chems' creative trajectory, predicted our post-genre pop future, and catapulted them to new heights
Accidental Records affiliate Bambooman AKA Kirk Barley delivers over an hour of dreamy, off-kilter rhythms and experimental club sonics as part of our Fresh Kicks series...
One of Detroit's most ambitious selectors, DJ Holographic has had the biggest year of her musical career in 2018. As it draws to a close...
“I’m living my favorite love affair with music right now and want to shout it out to the universe!”
DJ Holographic describes herself as “a...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
CC:DISCO! steps up with an hour of uplifting and soulful dancefloor heat and chats to DJ Mag's Amy Fielding about her beginnings in rock cover...
djmag · On Cue: CC:DISCO!
“I couldn’t have had a better year in 2019 to be honest, and one good thing about isolation is reflecting...
"Will they, won’t they" has very much been the UK vibe for the past few months. Fear not, though, socio-political unrest notwithstanding, there are still...
A slew of quality releases this year proved the compilation is still a vital format for taste-making selectors to present a snapshot of where we’re at...
10. Dimitri From Paris
‘Salsoul Mastermix’
Salsoul
One of dance music’s most popular disco connoisseurs delved deep into the back- catalogue of NYC’s legendary Salsoul...